Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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jozef brandt
on reconnaissance

ID: 56289

jozef brandt on reconnaissance
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jozef brandt on reconnaissance


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jozef brandt

Jozef Brandt (b. Szczebrzeszyn, 1841 - Radom, 1915) was a Polish painter, best known for his paintings of battles. Brandt studied in Warsaw in the school of J.N. Leszczynski and at the Noblemen Institute. In 1858 he left for Paris to study at the Ecole centrale Paris but was persuaded by Juliusz Kossak to abandon engineering in favor of painting. At one point he studied as a painter under Franz Adam.   Related Paintings of jozef brandt :. | Farewell | Cossack | Czarniecki at Koldynga | on reconnaissance | Battle of Chocim. |
Related Artists:
Jacques Rigaud
French, 1681-1754
Edwaert Collier
Dutch 1640-1706 Evert Collier was born about 1640 in Breda, Noord-Brabant, and died in 1708. He is believed to have trained in Haarlem, as his earliest paintings show the influence of Pieter Claesz and Vincent Laurensz van der Vinne. By 1667, he had moved to Leiden, where he became a member of the Guild of St. Luke in 1673. He moved to Amsterdam by 1686 and to London in 1693. He was buried September 8, 1708 at St. James, Piccadilly. The Denver Art Museum, the Honolulu Academy of Arts, the National Portrait Gallery (United Kingdom), the Rijksmuseum (Amsterdam) and the Tate (London) are among the public collections having paintings by Evert Collier.
Francesco Parmigianino
1503 ~ 1540,Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age. Throughout his career he was a compulsive draughtsman, not only of preparatory studies for paintings and prints, but also of scenes from everyday life and of erotica.






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