1811-1890 Brother of David Scott. He trained at the Trustees' Academy in Edinburgh and was taught engraving by his father. He saw the family print workshop as 'the lineal descendant of Albert Derer's factory in Nernberg'; he was later to own a fine collection of D?rer's prints and write a book about him (1870). In 1837 he went to London, where he was impressed by 'a new and interesting school of historical and loosely speaking, inventive and illustrative painters'. This encouraged him to leave landscape painting for the time being and become a history painter. Like his brother, he entered a cartoon for the Westminster Hall competition in 1842: the Free North Britons Surprising the Roman Wall between the Tyne and Solway; this too was unsuccessful. In 1843, discouraged by lack of patronage in London, he accepted the Mastership of the Government School of Design at Newcastle upon Tyne, where he stayed for 20 years, visiting London each summer.   Related Paintings of William Bell Scott :. | Iron and Coal | Ariel and Caliban by William Bell Scott | The Romans Cause a Wall to be Built for the Protection of the South | Landscape with a Gate and Watermeadow (mk46) | Ariel and Caliban |
Related Artists:
Harriet Powers
African-American Textile Artist, 1837-1911
Augustus e.mulready
fl.1863-1886
Hugo Birger
Swedish, 1854-1887 Swedish painter. He studied at the Konstakademi in Stockholm from 1871 to 1877. In 1877 he went to Paris and then spent the summer of 1878 at Barbizon with Carl Larsson, among others. There he painted several spontaneous plein-air paintings, such as Rue Gabrielle (1879; Goteborg, Kstmus.), in which the grey tones are contrasted realistically with exquisite colours. He also painted scenes of Parisian life, such as The Toilette (1880; two sketches in Stockholm, Nmus.), which aroused the interest of his contemporaries when it was exhibited at the Salon that year. Birger art was always conventional in style, allied to French salon painting. He was a master of technique and a brilliant subject painter, creating such scenes as In the Bower (c. 1880; Stockholm, Nmus.).