French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting   Related Paintings of VOUET, Simon :. | Parnassus or Apollo and the Muses (detail) | The Last Supper wt | St Catherine er | Presentation in the Temple gu | Diana wr |
Related Artists:
Sir William Beechey
1753-1839 British English painter. He was trained as a lawyer before entering the Royal Academy Schools, London, in 1772. He is thought to have studied under Johan Zoffany, and his earliest surviving portraits are small-scale full-lengths and conversation pieces in Zoffanys manner (e.g. The Custance Conversation Piece, c. 1786; priv. col.). Beechey first exhibited at the Royal Academy in 1776. In 1782 he moved to Norwich, where he gained several commissions, but he was back in London by 1787. In 1789 he exhibited a portrait of John Douglas, Bishop of Carlisle (London, Lambeth Pal.) that is remarkable for its facility of handling. Beechey would occasionally paint similarly inspired works, but his career is marked by a succession of unflamboyant but competent portraits in the tradition of Joshua Reynolds.
George Copeland Ault
American, 1891-1948
Ivan Khrutsky
1810-1885 Russian Ivan Khrutsky Gallery was a Russian-Polish painter known by his still-lives and portraits. He was born Ivan Fomich Khrutsky into a family descended from Polish gentry in the village of Ula, Vitebsk Gubernia (currently Belarus). In 1827, Khrutsky came to St. Petersburg and in 1830 entered the Imperial Academy of Arts. His first known works are dated 1832. The paintings gradually gathered public and critical acclaim. Khrutsky also worked as an interior designer, and became a popular amongst the wealthy home owners. In 1836, Khrutsky was awarded the Major Silver medal of the Academy for his still-lifes. Khrutsky also executed nice genre pictures and portraits. Old Woman Knitting a Sock, brought him the Minor Gold medal of the Academy. In 1839 he was awarded the title of the Academician. After his father??s death in 1840 Khrutsky left St. Petersburg forever and settled in the family estate Zakharenichi (Zacharniczy), Polotsk region. This period was one of commissioned religious art, mostly from Lithuania. Besides religious paintings he also worked on portraits, such as I.I. Glazunov's, Joseph Semashko's, Mikolaj Malinowski's and others. He died in 1885.