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c. 1445 – May 17, 1510. Italian painter.

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VERMEER VAN DELFT, Jan
A Lady and Two Gentlemen (detail) qr

ID: 09541

VERMEER VAN DELFT, Jan A Lady and Two Gentlemen (detail) qr
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VERMEER VAN DELFT, Jan A Lady and Two Gentlemen (detail) qr


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VERMEER VAN DELFT, Jan

Dutch Baroque Era Painter, 1632-1675  Related Paintings of VERMEER VAN DELFT, Jan :. | A Woman Asleep at Table (detail) aer | A Lady and Two Gentlemen (detail) ewt | A Lady Drinking and a Gentleman (detail) ar | The Lacemaker (detail) wet | Girl with a Pearl Earring er |
Related Artists:
Francesco di Giorgio Martini
Italian Early Renaissance Painter and Sculptor, 1439-ca.1501 was an Italian painter of the Sienese School, a sculptor, an architect and theorist, and a military engineer who built almost seventy fortifications for the Duke of Urbino. Born in Siena, he apprenticed as a painter with Vecchietta. In panels painted for cassoni he departed from the traditional representations of joyful wedding processions in frieze-like formulas to express visions of ideal, symmetrical, vast and all but empty urban spaces rendered in perspective. Francesco di Giorgio is also known for architectural designs and sculptural work for Federico III da Montefeltro, Duke of Urbino, for whom he built star-shaped fortifications. He composed an architectural treatise Trattato di architettura, ingegneria e arte militare that he worked on for decades and finished sometime after 1482;
Ignacio Pinazo
1849-1916 He came from a poor family and in his youth worked as a silversmith, gilder, tile painter and hatter. This experience encouraged an independent spirit unencumbered by academic doctrine. He did, however, attend the Escuela de Bellas Artes in Valencia while working as a hatter, studying colour and composition, life drawing and drawing from the Antique (1868-9). In 1870 he started to devote himself wholly to painting. His early works include several portraits. A series of stays in Italy were important for Pinazo's development. The first of these took place in 1873, when he spent seven months visiting Rome, Naples and Venice and became familiar with the work of Mariano Jos? Bernardo Fortuny y Marsal, whose influence can be seen in Pinazo's small-scale landscapes on panel . Soon, however, his work came to resemble that of the impressionistic Italian painters, the Macchiaioli, as in Pinazo's brightly coloured Wheat-field. His second stay in Italy began in 1877 with an award for his large history painting, Landing of Francis I of France in Valencia
Nicolas Vleughels
French , Paris 1668/69-Rome 1737






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