Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.  Related Paintings of Titian :. | Martyrdom of St.Laurence | An Allegory (mk05) | Equestrian Portrait of Charles V | Noli me Tangere | St Margaret and the Dragon |
Related Artists:
Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
Jean-Paul Laurens
1838-1921 French Jean Paul Laurens Gallery was a French painter and sculptor, and one of the last major exponents of the French Academic style. Born in Fourquevaux, he was a pupil of L??on Cogniet and Alexandre Bida. Strongly anti-clerical and republican, his work was often on historical and religious themes, through which he sought to convey a message of opposition to monarchical and clerical oppression. His erudition and technical mastery were much admired in his time, but in later years his hyper-realistic technique, coupled to a highly theatrical mise-en-sc??ne, came to be regarded as overly didactic and even involuntarily comical. Laurens was commissioned to paint numerous public works by the French Third Republic, including the steel vault of the Paris city hall, the monumental series on the life of Saint Genevieve in the apse of the Panth??on, the decorated ceiling of the Od??on Theater, and the hall of distinguished citizens at the Toulouse capitol. He also provided illustrations for Augustin Thierry's R??cits des temps m??rovingiens ("Accounts of Merovingian Times"). Laurens was a professor at the École nationale sup??rieure des Beaux-Arts in Paris, where he taught Andr?? Dunoyer de Segonzac and George Barbier. Two of his sons, Paul Albert Laurens (1870-1934) and Jean-Pierre Laurens (1875-1932), became painters and teachers at the Acad??mie Julian. He died in Paris in 1921.
RIGAUD, Hyacinthe
French Baroque Era Painter, 1659-1743 .was a French baroque painter of Catalan origin whose career was based in Paris. He is renowned for his portrait paintings of Louis XIV, the royalty and nobility of Europe, and members of their courts. Rigaud was born Jacint Rigau i Ros -- though in many encyclopaedias is "re-christened" with the name of H??acint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau -- in Perpignan, which became part of France by the Treaty of the Pyrenees (7 November 1659) shortly after his birth. In 1682, he was awarded the Prix de Rome. He was the most important portrait painter during the reign of King Louis XIV. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him. Because Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Rigaud was a master of the Baroque style of art. Rigaud's best-known work is his 1701 painting of Louis XIV which today hangs in the Louvre in Paris, as well as the second copy also requested by Louis XIV that now hangs at the Palace of Versailles. In 1709, he was made a noble by his hometown of Perpignan. In 1727 he was made a knight of the Order of Saint Michael. Rigaud died in Paris in 1743 at the age of 84.