Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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TISCHBEIN, Johann Heinrich Wilhelm
Portrat der Familie Saltykowa

ID: 81171

TISCHBEIN, Johann Heinrich Wilhelm Portrat der Familie Saltykowa
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TISCHBEIN, Johann Heinrich Wilhelm Portrat der Familie Saltykowa


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TISCHBEIN, Johann Heinrich Wilhelm

German Painter, 1751-1829  Related Paintings of TISCHBEIN, Johann Heinrich Wilhelm :. | Portrait of a young boy | Portrat des Herrn Chatelain | Portrat der Grafin Saltykowa und ihrer Familie | Portrait Goethes in der Campagna | Goethe in the Roman Campagna |
Related Artists:
CAGNACCI, Guido
Italian Baroque Era Painter, 1601-1681
Amaury-Duval, Eugene-Emmanuel
French Academic Painter, 1808-1885
Peale, Sarah Miriam
American Painter, 1800-1885 Painter, daughter of James Peale. The most notable of James Peale's painting daughters, she also studied with her uncle Charles Willson Peale and her cousin Rembrandt Peale, from whom she developed her talent for colour and precision in details. As studio assistant to her father, she occasionally introduced into his work bright and intricate fabrics. Her career began in 1817 with the exhibition of Flowers at the Pennsylvania Academy of the Fine Arts. In the 1820s she painted in Baltimore and Philadelphia; in 1824 she was elected to the Pennsylvania Academy. From 1831 to 1846 she maintained her studio in Baltimore where she was a popular portrait painter, producing unpretentious but intelligent and occasionally romantic portraits characterized by a fine concern for materials, as in Mrs Perry Eccleston Noel (c. 1822; Baltimore, Mus. & Lib. MD Hist.). Her sitters included such prominent politicians as Daniel Webster (1842; St Louis, MO Hist. Soc. Mus.) and Abel Park Upshur (1842; Baltimore, Mus. & Lib. MD Hist.). In 1847 Sarah moved to St Louis, MO, where for 32 years she was in great demand. From 1859 her still-lifes won prizes at the St Louis fairs; they were loosely painted works different from the tightly controlled table-top pieces of her father and sister. Sarah's portraiture also changed, from the elegant, precise Neo-classicism learnt from her cousin Rembrandt to a looser,






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