Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s Related Paintings of Sandro Botticelli :. | Lorenzo Tornabuoni before the assembly of the Liberal Arts (mk36) | The story of the wedding scene | The Story of Nastagio degli Onesti | Fra Bartolomeo Portrait of Girolamo Savonarola | |
Related Artists:Adalbert John Volck
Adalbert J. Volck (1828 - 1912) was a dentist, political cartoonist, and caricaturist born in Bavaria. He was known for supporting the Confederacy during the American Civil War, doing so through his political cartoons (below), smuggling items for the Confederate army, and personally assisting President Jefferson Davis by acting as a courier.
Volck was also known for his work on porcelain restoration techniques in dentistry.Girolamo dai Libri
(1474/1475 - July 2, 1555) was an Italian illuminator of manuscripts and painter of altarpieces, working in an early-Renaissance style.
He was born and mainly active in Verona. His father was Francesco dai Libri, and was so named because he was an illuminator of books. Girolamo's works were noted by Giorgio Vasari. Girolamo was a pupil of Domenico Morone. Dai Libri painted his first altarpiece, a Deposition from the Cross for Santa Maria in Organo in Verona, at the age of sixteen.
van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter.
He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth.
Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded.
His students include Gerard Seghers and Theodoor Rombouts.