Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Sandro Botticelli
Trals of Christ (mk36)

ID: 25018

Sandro Botticelli Trals of Christ (mk36)
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Sandro Botticelli Trals of Christ (mk36)


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Sandro Botticelli

Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | St. Lucie Hughes I | A Young Woman Receives Gifts from Venus and the Three Graces (mk05) | Francesco Furini,Lorenzo the Magnificent and the Platonic Academy in the Villa of Careggi (mk36) | Mago wearing a red mantle | Giorgio vasari,Portrait of Lorenzo the Magnificent |
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Mikolajus Ciurlionis
1875-1911 Lithuanian Mikolajus Ciurlionis Locations Lithuanian painter and composer. He studied with Noskowski in Warsaw and with Jadassohn and Reinecke at the Leipzig Conservatory (1901). His music makes use of invented modes, colourful harmony and autonomous rhythms; he wrote much for the piano as well as orchestral and chamber music. He was also famous as a painter.
margareta capsia gavelin
Margareta Capsia, född 1682 i Sverige, död 20 juni 1759 i Åbo, var en svensk-finländsk konstnär, den första kvinnliga konstnären i Finland och en av de första i Skandinavien. Hon var kyrkomålare och målade altartavlor, men utförde även personporträtt. Capsias föräldrar Gottfried Capsia och Anna Schultz hade kommit till Sverige från Holland. Hon gifte sig i Stockholm 1719 med prästen Jacob Gavelin och flyttade till Vasa 1721, där hon gjorde sig känd som altarmålare i Österbotten. 1730 flyttade paret till Åbo, där hon blev känd i hela landet som konstnär. Hon målade altatavlorna i en rad kyrkor, bla målade hon 1739 Säkylä kyrkas altartavla, och i den gamla kyrkan i Paltamo, den så kallade bildkyrkan, finns bland annat en altartavla från 1727 som föreställer nattvarden. Hennes altartavlor beskrivs som individualistiska och naivt ärliga bibelillustrationer, och hon ansågs som landets då främsta altarkonstnärer tillsammans med Mikael Toppelius. Hon var en av de få kvinnliga konstnärerna kända i Skandinavien före 1800-talet, tillsammans med Ulrika Pasch i Sverige och Johanne Marie Fosie i Danmark. I Finland var även Helena Arnell känd under samma tid.
GRAMATICA, Antiveduto
Italian Baroque Era Painter, 1571-1626 Italian painter. He was from a Sienese family. According to Baglione, his parents were journeying from Siena to Rome when his mother went into labour and gave birth to him at an inn, an inconvenience that had been foreseen ('antiveduto') by his father and led to his unusual name. For a brief period he was a pupil of Giandomenico Angelini ( fl 1550-1600), under whom he painted small-scale works, mainly on copper. His prolific production of devotional paintings, portraits and copies of portraits won him swift success; in 1593 he became a member of the Accademia di S Luca and in 1604 of the Congregazione dei Virtuosi. His early portraits have not been identified; they included highly popular copies of a series of Famous Men then at the Villa Medici, works that Caravaggio probably also copied when he worked for some months in his studio on his arrival in Rome in 1592






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