Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s Related Paintings of Sandro Botticelli :. | The Coronation of the Virgin with SS.Eligius,John the Evangelist,Au-gustion,and Jerome | Portrait of a Youth with a Medal | Portrait of Lorenzo de'Lorenzi (mk36) | Pallas and the Centaure | Piero del Pollaiolo Hope (mk36) |
Related Artists:Arthur Tozart
(1800 -1900 ) - PainterAndrea Lilio
Andrea Lilio (1555/1570 - after 1639) was an Italian painter born in Fano, not far from Ancona, hence he also is known as L'Anconitano.
Die Geschichte des Hl. NikolausHe painted mainly in his native city, as well as in Rome, where he was active from the beginning of the 17th century until around 1640. He was employed by Pope Sixtus V in the decoration of the library of the Vatican and in the decoration of the Scala Santa in San Giovanni Laterano. In the latter, he painted, Moses striking the Rock and Moses with the Brazen Serpent.
Said to have been a pupil of Federico Barocci, he painted in a Mannerist style, already outdated in Baroque Rome at the time. Nevertheless, Lilio created a popular niche for himself by painting allegories for aristocratic audiences. In fact, it is altogether possible that Lilio collaborated for the illustrations of Cesare Ripa's Iconologia, which was a popular source for such motifs for a very long time. He died at Ascoli Piceno.
In a chapel of the Chiesa Nuova, he painted The Archangel Michael driving fallen angels from Heaven. He continued to ornament churches and convents of Rome during the reign of Pope Clement VIII.
One of his masterpieces, the Martyrdom of Saint Lawrence, was painted for Santa Caterina in Ancona. He painted the Christ Washing the Feet of His Disciples for the nave of Santa Maria Maggiore in Rome. He also was part of the team active in the painting of the Sistine chapel (chapel of Nativity) in Santa Maria Maggiore. For the cathedral of Fano, he painted a picture of All Saints.Felix Ziem
French Painter, 1821-1911
was a French painter in the style of the Barbizon School. Born Felix-Francois Georges Philibert Ziem in Beaune in the Côte d'Or departement of the Burgundy region of France, his mother was a native of Burgundy who married a Croatian immigrant. Originally, Ziem planned to be an architect and studied at the School of Architecture in Dijon, and for a time worked as an architect. Painting developed from a hobby to a career following an 1841 visit to Italy where he fell in love with the city of Venice, a place that would become the source for many of his works. Apart from Venetian scenes, he also painted many still lifes, portraits and landscapes from a variety of places including Constantinople, Martigues, Cagnes-sur-Mer and his native Burgundy. Ziem's works were first exhibited in 1849 at the Paris Salon and remained a regular exhibitor there for many years. Part of the Barbizon school, he also traveled extensively throughout Europe and in 1860 moved to Montmartre, the artistic quarter of the city of Paris. Financially successful, he was known to assist struggling young artists. In 1857, the government of France recognized his contribution to the art world by making him a Chevalier of the Legion of Honor.