Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s Related Paintings of Sandro Botticelli :. | Antonio del Pollaiolo Hercules and Antaeus | The Birth of Venus | Hans Memling,Man with a Medal | The Coronation of the Virgin | Lorenzo Tornabuoni before the assembly of the Liberal Arts (mk36) |
Related Artists:Arnold Houbraken
(28 March 1660 - 14 October 1719) was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of artists from the Dutch Golden Age. He had ten children. His son Jacobus Houbraken (1698-1780) was an engraver of portraits and book illustrations, including books by his father. His daughter Antonina Houbraken also became an engraver for an Amsterdam publisher, and is known today for her embellishment of cityscapes and buildings with animals and people.
Houbraken was sent first to learn threadtwisting from Johannes de Haan, who introduced him to engraving. After two years he then studied art with Willem van Drielenburch, who he was with during the rampjaar, the year 1672. He then studied 9 months with Jacobus Leveck and finally, four years with Samuel van Hoogstraten. In 1685 he married Sara Sasbout, and around 1709 he moved from Dordrecht to Amsterdam. Arnold Houbraken painted mythological and religious paintings, portraits and landscapes. Bonnard, Pierre
French painter and printmaker. He studied at the Academie Julian and the École des Beaux-Arts (1888 C 89). In the 1890s he became a leading member of the Nabis group and came under the influence of Art Nouveau and Japanese prints. With his friend Édouard Vuillard, he developed the intimate domestic interior scene, a genre known as Intimism, depicting fashionable Parisian life in the years before World War I. He also produced still lifes, self-portraits, seascapes, and large-scale decorative paintings. In 1910 he discovered the south of France and began a series of luminous landscapes of the Mediterranean region. He was fascinated by perspective, which he employed in paintings such as The Dining Room (1913). From the 1920s he specialized in landscapes, interiors, views of gardens, and bathing nudes. He produced illustrations for the celebrated journal Revue blanche and decorative pages for Paul Verlaine's book of poetry Parallelement (1900). Louis-Philippe Crepin
(1772-1851) was a French naval painter, one of the first Peintres de la Marine.
Crepin was notably a pupil of Joseph Vernet and Hubert Robert.
His Combat de la Bayonnaise contre l'Ambuscade, 1798, depicting the Action of 14 December 1798, is one of the main exhibits of the Musee national de la Marine.