Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s Related Paintings of Sandro Botticelli :. | Clayton s story | St Augustine in his Study | Our Lady of subgraph | Saint Augustine | Mago wearing a red mantle |
Related Artists:michele di matteo lambertini
active in Bologna 1416-1469Camillo Procaccini
(1551 - August 21, 1629) was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration.
Born in Bologna, he was the son of the painter Ercole Procaccini the Elder, and older brother to Giulio Cesare and Carlo Antonio, both painters.
In 1587 he distinguished in the fresco decoration of the Basilica della Ghiara in Reggio Emilia. In the late 1580s he moved to Milan, where count Camillo Visconti Borromeo commissioned him the decoration of his villa in Lainate. The organ shutters for the Cathedral of Milan were painted after 1590 by Camillo, Giuseppe Meda (died 1599), and Ambrogio Figino. His other works of note include the frescoes of the nave and the apse of the Cathedral of Piacenza in collaboration with Ludovico Carracci (1605 - 1609), and the vault and choir in Santi Paolo e Barnaba of Milan. Also famous is a Nativity in the Sacro Monte d'Orta. Among his pupils is Carlo Biffi.
Among his many other works are a Martyrdom of St. Agnes painted in fresco in the sacristy of Milan cathedral; a Madonna and Child painted for the church of Santa Maria del Carmine; an 'Adoration of the Shepherds found in the Brera; and the ceiling of the church of Padri Zoccolanti, representing the Assumption of the Virgin. eall in the same city. He also painted a Last Judgment for the church of San Prospero at Reggio; He painted a St. Roch administering the Sacrament to the Plague-stricken.
Mattheus Terwesten (1670-1757) was a Dutch painter of portraits, architectural, and historical themes. He was court painter to Frederick William I of Prussia and professor of the art academy in Berlin.
Mattheus Terwesten studied with his brother Augustinus Terwesten, Willem Doudyns, and Daniel Mijtens the Younger. In 1695 he traveled via Berlin to Rome, where he stayed until 1699. In Rome he became a member of the painters' circle known as the Bentvueghels, where he earned the nickname "Arend", or eagle. In 1710 he joined his older brother Augustinus and younger brother Ezaias, and when Augustinus died in 1711, he succeeded him as court painter in Berlin, while Ezaias went to Italy, where he married and settled permanently.
His pupils were Herman Diederik Cuipers, Pieter van Cuyck (I), Jan van Gool, Johan Graham, Hendrik van Hulst, Jacob van Nachenius, Andries Storck, and his two sons Augustinus (II) and Pieter Terwesten.