Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s Related Paintings of Sandro Botticelli :. | Our Lady of sub | The Virgin Adoring Child | Fortitude | Portrait of a Man with a Medal | St John the Evangelist at Patmos |
Related Artists:January Suchodolski
(September 19, 1797 - March 20, 1875) was a Polish painter and Army officer.
Suchodolski was born in Grodno and was the brother of Rajnold Suchodolski.
From 1832 to 1837 Suchodolski studied in Rome, where he was a pupil of Horace Vernet. Suchodolski became known for his history and battle paintings.
He died in Bojmie (near Siedlce).
Orchardson, Sir William Quiller
English, 1832-1910Paul Nash
Paul Nash Location
Painter and graphic artist. Wounded during the 1914-18 war, he was appointed an official war artist and examples of his work from this time, We are Making a New World and The Menin Road, are in the Imperial War Museum. Essentially a landscape artist, who saw himself as a successor to Blake and Turner, his work was imbued with deep, sometimes prophetic symbolism. In the Second World War, he was again an official war artist; his Totes Meer (Dead Sea) and Bomber in the Corn hang in the Tate Gallery.