1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .  Related Paintings of Rosa Bonheur :. | buffa;o bill | Mounted Indians Carrying Spears | Plowing in the Nivernais;the dressing of the vines | plojning i nivernais | Wild Boars in the Snow |
Related Artists:
Paul Brill
Flemish painter , 1554-Rome 1626 were brothers, both born in Antwerp, who were landscape painters who worked in Rome after earning papal favor. They are also described as painters of capricci (whims or fancies) or vedute ideate or veduta di fantasia, with typical rustic hills with a few ruins. Mattheus began work on several frescoes in Rome from 1570 onwards, and his work includes the Vatican's Seasons. Mattheus died young, and his brother continued his work around 1574. Paul, a student of Damiaen Oertelmans, painted frescoes such as the landscapes in the Casino Rospigliosi (Rome), and The Roman Forum, which showed this site for what it had become: a slum for squatters and pasture for livestock (so much so that the place was nicknamed Campo Vaccino, or "The Cowfield"). His masterpiece may be a fresco in the Clementine Hall of the Vatican. Paul also did engravings and small cabinet paintings on copper, some of which are signed with a pair of spectacles (a pun on the French word brilles, "spectacles"). Some of these were collaborations with Johann Rottenhammer, who according to a dealer's letter of 1617 painted the figures in Venice and then sent the plates to Rome for Bril to complete the landscape. He collaborated with his friend Adam Elsheimer, who he both influenced and was influenced by, on one painting.
Jan Verhas
(9 January 1834-31 October 1896) was a genre painter and is considered the founder of the School of Dendermonde, best known for his paintings of children of the Belgian bourgeoisie, in a classical style but with a natural feeling to them. Born in Dendermonde as the younger brother of painter Frans Verhas, he studied at the Academy of Dendermonde and the Academy in Antwerp, finishing with the Belgian Prix de Rome in 1860. The Belgian government commissioned him to travel to Venice where he made the painting "Velleda et la Bataille de Callao" in 1862. The next four years, he lived in Binche, where he married. He then moved to Brussels. Verhas was a regular of the Salons of the time, winning a second class medal in the Paris Salon Exposition of 1881, and a gold medal at the 1889 Exposition Universelle. He was made a Chevalier in the Legion of Honor in 1881. Jan Verhas died in Schaarbeek in 1896. Paintings by Jan Verhas can be seen at the Museum of Fine Arts in Ghent, the Royal Museum of Fine Arts, Antwerp and the City Hall of Dendermonde.
Ludwig Deutsch
Austrian-born French Academic Painter, 1855-1935