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c. 1445 – May 17, 1510. Italian painter.

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Monamy, Peter
The Taking of the St-Joseph,a Spanish caracca ship

ID: 44758

Monamy, Peter The Taking of the St-Joseph,a Spanish caracca ship
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Monamy, Peter The Taking of the St-Joseph,a Spanish caracca ship


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Monamy, Peter

English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703  Related Paintings of Monamy, Peter :. | A panoranma of the Bosporus at Constantinople the City spread along the European western shore,the Asian eastern shore guarded by Leander-s Tower | An english privateer in three positions | The First-rate ship Royal Sovereign stern quarter view,in a calm | The taking of Porto Bello by Vice-Admiral Vernon on 22 November 1739 with six men-o-war only | English Cutter-righged yacht in two positions |
Related Artists:
Bernardo Cavallino
Italian Baroque Era Painter, ca.1616-1656 was an Italian painter of the Baroque period, working in Naples. Born in Naples, he likely died during the plague epidemic in 1656. While his paintings are some of the more stunningly expressive works emerging from the Neapolitan artists of his day, little is known about the painter's background or training. Of eighty attributed paintings, less than ten are signed. He worked through private dealers and collectors whose records are no longer available. It is said that he trained with Massimo Stanzione, befriended the painter Andrea Vaccaro, and was influenced by Anthony Van Dyck, but his paintings could also be described as equidistant from Caravaggio and Bartolome Esteban Murillo in styles; tenebrism enveloped with a theatrical sweetness, a posed ecstasy and feeling characteristic of the high Roman baroque statuary. He is known to have worked in Neapolitan circles strongly influenced by Stanzione, which included Artemisia Gentileschi, Francesco Francanzano, Agostino Beltrano and Francesco Guarino. One of his masterpieces is the billowing maiden Virgin at the Brera Gallery in Milan. Passive amid the swirling,
Charles Barber
British 1845-1894
Theodore Frere
French Painter, 1814-1888






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