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c. 1445 – May 17, 1510. Italian painter.

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Monamy, Peter
The Surrender of the Spanish Fleet to the British at Havana

ID: 44763

Monamy, Peter The Surrender of the Spanish Fleet to the British at Havana
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Monamy, Peter The Surrender of the Spanish Fleet to the British at Havana


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Monamy, Peter

English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703  Related Paintings of Monamy, Peter :. | The Blockade of Alicante | First Winner of Doggett-s Coat and Badge Race | This is the second of Monamy-s personally executed engravings | The Taking of the St-Joseph,a Spanish caracca ship | The taking of Porto Bello by Vice-Admiral Vernon on 22 November 1739 with six men-o-war only |
Related Artists:
Ernst Oppler
1867, Hannover - 1929, Berlin, a Jewish German painter and etcher; elder brother of Alexander.
JACOBELLO DEL FIORE
Italian Early Renaissance Painter, 1370-1439
Albert von Keller
Albert von Keller (April 27, 1844 - July 14, 1920) was a German painter. He was born at Gais, in Switzerland; he studied at the Munich Academy under Lenbach and Ramberg, and must be counted among the leading colorists of the modern German school. Travels in Italy, France, England and Holland, and a prolonged sojourn in Paris, helped to develop his style. His scenes of society life, such as the famous "Dinner" (1890), are painted with thoroughly Parisian esprit, and his portraits are marked by the same elegant distinction. He was particularly successful in the rendering of rustling silk and satin dresses and draperies. His historical and imaginative works were as modern in spirit and as unacademical as his portraits. As of 1911, at the Munich Pinakothek was his painting "Jairi Töchterlein" (1886), while the Königsberg Museum contained his "Roman Bath", and the Liebieg collection in Reichenberg the "Audience with Louis XV", the first picture that drew attention to his talent. Among other important works he painted "Faustina in the Temple of Juno at Praeneste", "The Witches Sleep" (1888), "The Judgment of Paris", "The Happy Sister", "Temptation" (1892), "Autumn" (1893), "An Adventure" (1896), and "The Crucifixion".






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