Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Monamy, Peter
Stern view of the Royal Caroline

ID: 44737

Monamy, Peter Stern view of the Royal Caroline
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Monamy, Peter Stern view of the Royal Caroline


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Monamy, Peter

English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703  Related Paintings of Monamy, Peter :. | First Winner of Doggett-s Coat and Badge Race | Flagship of Sir John Leake,coming to anchor in the bay of Barcelona | The Bombardment of Alicante | Four Prints of an election | This is the second of Monamy-s personally executed engravings |
Related Artists:
Byzantine Painter
the period of 1465-1535
Jan Hendrik Weissenbruch
painted Milking cows underneath the willows in
CATENA, Vincenzo
Italian Painter, ca.1480-1531 His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena's are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits.






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