Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Ludolf Backhuysen
The Y at Amsterdam, seen from the Mosselsteiger (mussel pier).

ID: 66079

Ludolf Backhuysen The Y at Amsterdam, seen from the Mosselsteiger (mussel pier).
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Ludolf Backhuysen The Y at Amsterdam, seen from the Mosselsteiger (mussel pier).


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Ludolf Backhuysen

b.Dec. 18, 1631, Emden, East Frisia [Germany] d.Nov. 17, 1708, Amsterdam, Neth. Dutch Ludolf Backhuysen Gallery   Related Paintings of Ludolf Backhuysen :. | Ships on the Zuiderzee before the Fort of Naarden | Christ in the Storm on the Sea of Galilee | Seascape with Ships | The Y at Amsterdam, seen from the Mosselsteiger (mussel pier). | Detail of THe Eendracht and a Fleet of Dutch Men-of-War |
Related Artists:
Edwin Lord Weeks
American Academic Painter, 1849-1903, American artist, was born at Boston, Massachusetts, in 1849. He was a pupil of Leon Bonnat and of Jean-Leon Gerome, at Paris. He made many voyages to the East, and was distinguished as a painter of oriental scenes. In 1895 he wrote and illustrated a book of travels, From the Black Sea through Persia and India, and two years later he published Episodes of Mountaineering. He died in November 1903. He was a member of the Legion d'honneur, France, an officer of the Order of St. Michael, Germany, and a member of the Secession, Munich.
Jose Frappa
painted Lamb amongst wolves in 1882
James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.






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