Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Lord Frederic Leighton
And the Sea Gave Up the Dead Which Were in It

ID: 02398

Lord Frederic Leighton And the Sea Gave Up the Dead Which Were in It
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Lord Frederic Leighton And the Sea Gave Up the Dead Which Were in It


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Lord Frederic Leighton

British 1830-1896 Lord Frederic Leighton Locations   Related Paintings of Lord Frederic Leighton :. | Idyll | Actaea, the Nymph of the Shore | Greek Girls Picking Up Pebbles by the Sea | Perseus and Andromeda | Portrait of May Sartoris |
Related Artists:
Marten de Vos
(1532-1603), also Maarten, was a leading Antwerp painter and draughtsman in the late sixteenth century.
Ali of Golconda
the period of 1465-1535
Franz Pforr
German 1788-1812 He received his earliest training from his father, the painter Johann Georg Pforr (1745-98), and his uncle, the art professor and first inspector of the painting gallery in Kassel, Johann Heinrich Tischbein the younger (1742-1808). In 1805 he became a student at the Akademie der Bildenden Kenste in Vienna, which was dominated by the severe Neo-classicism of its director, Heinrich Feger; he was taught by Hubert Maurer (1738-1818), Franz Cauzig (1762-1828) and Johann Martin Fischer. During the war with France in 1805, Pforr volunteered as a guard in the Vienna militia. He suffered a nervous breakdown, brought on by the conflict between his passionate longing for a contemplative life and a desire to see military action. He probably turned to religion to help sustain his mental equilibrium. In 1806 he resumed his academic studies and, believing himself destined to become a battle painter, made numerous drawings of historical battles, for example his still schoolish and baroquely composed Wallenstein in the Battle of L?tzen (1806; Frankfurt am Main, Stedel. Kstinst. & St?dt. Gal.). However, it was not until 1807, with Drawing with Twelve Travel Sketches (Frankfurt am Main, Stadt- & Ubib.), that he first began to overcome his beginner style and to develop his own. This resulted in reduced detail, simplified continuous contours, a structuring by means of planar rather than illusionistic criteria, a new clarity of vision and a chastened balance between nature and artistic conception.






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