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c. 1445 – May 17, 1510. Italian painter.

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KINSOEN, Francois Joseph
Portrait of Marie J. Lafont-Porcher

ID: 52514

KINSOEN, Francois Joseph Portrait of Marie J. Lafont-Porcher
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KINSOEN, Francois Joseph Portrait of Marie J. Lafont-Porcher


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KINSOEN, Francois Joseph

Flemish painter (b. 1771, Bruges, d. 1839, Bruges  Related Paintings of KINSOEN, Francois Joseph :. | Der neue See im Berliner Tiergarten | Male Nude | St.Michael 02 | Deposition | A Modern Olympia |
Related Artists:
Jan Asselijn
born: Netherlands; about 1615 died: Amsterdam, Netherlands ; 1652. Italianate syle painter with big vistas small people and romantic skys
NEUFCHATEL Nicolas
Flemish-German painter (b. ca. 1527, Hennegau, d. 1590, N??rnberg)
Carl Fredrik Hill
Swedish Painter, 1849-1911,Swedish painter and draughtsman. He grew up in the university city of Lund, where his father was a mathematics professor. Despite severe opposition from his father, he studied landscape painting at the Konstakademi in Stockholm (1871-2), under Johan Edvard Bergh and Per Daniel Holm (1835-1903). He also frequently copied Dutch Old Masters, particularly Jacob van Ruisdael. After seeing the work that Alfred Wahlberg had sent home from Paris, Hill began to abandon his initial approach to form and colour, and he left for Paris in November 1873. His most important experience there was his encounter with the painting of Jean-Baptiste-Camille Corot: 'Corot has discovered a new world, because he has discovered a new way of looking at the old', he wrote in a letter. Other contemporary French painters Hill admired were Alexandre-Gabriel Decamps, Charles-Fran?ois Daubigny, Jean-Franeois Millet and Theodore Rousseau. From Courbet he learnt how to use colour to suggest the surface texture of stone quarries and gravel hills. In Barbizon in 1874 and 1875 Hill met the Hungarian painters Laszlo Pael and Mihaly von Muncacsy. His paintings of this time, for example Autumn Landscape, Evening: Fontainebleau (1875; Malm?, Kstmus.), are characterized by their dark 'luminarism' and their debt to Corot's later works.






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