Italian c1510-1592 Jacopo Bassano Gallery He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.  Related Paintings of Jacopo Bassano :. | Christ Driving the Traders from the Temple | The Adoration of the Magi | Anbetung der Heiligen Drei Konige | The Supper at Emmaus | The meal in Emmaus |
Related Artists:
Frans Luycx
Frans Luycx. Deutsch: Kaiser Ferdinand III. (1608-1657), Brustbild. Deutsch: um 1637/1638. Medium. Deutsch.
bror hjorth
Bror Hjorth, född 22 april 1894 i Marma, död 21 maj 1968 i Uppsala, var en svensk konstnär. Bror Hjorth var son till skogsvaktaren Emil Johanzon och Charlotta Johansdotter. Han är en av Sveriges mest kända skulptörer och målare. Han var lärare i teckning vid Konsthögskolan 1949 -- 1959, där han hade bland annat Kerstin Kjellberg-Jacobsson som elev. Han bosatte sig efter studietiden i Uppsala. Han uppförde där sitt ateljehus i Kåbo, Bror Hjorths Hus, som numera är museum. Bror Hjorth erhöll Sergelpriset 1955. Under några år i början av 1930-talet drev Bror Hjorth tillsammans med Nils Möllerberg en skulpturskola i Stockholm. Bror Hjorth ligger begravd på kyrkogården i Björklinge.
DOU, Gerrit
Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.