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c. 1445 – May 17, 1510. Italian painter.

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Jacob Jordaens
Golden Apple of Discord

ID: 96629

Jacob Jordaens Golden Apple of Discord
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Jacob Jordaens Golden Apple of Discord


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Jacob Jordaens

Flemish Baroque Era Painter, 1593-1678 Jacob Jordeans was born on May 19, 1593, the first of eleven children, to the wealthy linen merchant Jacob Jordaens Sr. and Barbara van Wolschaten in Antwerp. Little is known about Jordaens's early education. It can be assumed that he received the advantages of the education usually provided for children of his social class. This assumption is supported by his clear handwriting, his competence in French and in his knowledge of mythology. Jordaens familiarity with biblical subjects is evident in his many religious paintings, and his personal interaction with the Bible was strengthened by his later conversion from Catholicism to Protestantism. Like Rubens, he studied under Adam van Noort, who was his only teacher. During this time Jordaens lived in Van Noort's house and became very close to the rest of the family. After eight years of training with Van Noort, he enrolled in the Guild of St. Luke as a "waterscilder", or watercolor artist. This medium was often used for preparing tapestry cartoons in the seventeenth century. although examples of his earliest watercolor works are no longer extant. In the same year as his entry into the guild, 1616, he married his teacher's eldest daughter, Anna Catharina van Noort, with whom he had three children. In 1618, Jordaens bought a house in Hoogstraat (the area in Antwerp that he grew up in). He would then later buy the adjoining house to expand his household and workspace in 1639, mimicking Rubens's house built two decades earlier. He lived and worked here until his death in 1678. Jordaens never made the traditional trip to Italy to study classical and Renaissance art. Despite this, he made many efforts to study prints or works of Italian masters available in northern Europe. For example, Jordaens is known to have studied Titian, Veronese, Caravaggio, and Bassano, either through prints, copies or originals (such as Caravaggio's Madonna of the Rosary). His work, however, betrays local traditions, especially the genre traditions of Pieter Bruegel the Elder, in honestly depicting Flemish life with authenticity and showing common people in the act of celebratory expressions of life. His commissions frequently came from wealthy local Flemish patrons and clergy, although later in his career he worked for courts and governments across Europe. Besides a large output of monumental oil paintings he was a prolific tapestry designer, a career that reflects his early training as a "watercolor" painter. Jordaens' importance can also be seen by his number of pupils; the Guild of St. Luke records fifteen official pupils from 1621 to 1667, but six others were recorded as pupils in court documents and not the Guild records, so it is probable that he had more students than officially recorded. Among them were his cousin and his son Jacob. Like Rubens and other artists at that time, Jordaens' studio relied on his assistants and pupils in the production of his paintings. Not many of these pupils went on to fame themselves,however a position in Jordaens's studio was highly desirable for young artists from across Europe.  Related Paintings of Jacob Jordaens :. | An Offering to Ceres | The Adoration of the Shepherds | Allegory of Peace | The Holy Family with St.Anne, the Young Baptist and his Parents | A Satyr |
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June 4, 1882 ?C November 20, 1918, was a Swedish painter and illustrator. Best known for his illustrations of Bland tomtar och troll Bauer was born and raised in Jonkoping with his two brothers, and sister, Anna Bauer. Anna whose early death at 13 had a profound effect on John and his brothers. Living in an apartment situated above their father charcuterie, he was always given to sketching and drawing. At sixteen, he set off for Stockholm to study art, and after two years he entered the Royal Swedish Academy of Arts. At the academy he met Esther Ellquist, whom he would marry in December of 1906. Together they embarked on a two year long trip to Germany and Italy to study art (1908-1910). Bauer wife became the model for many of Bauer paintings, most notably The Fairy Princess in 1905. Bauer suffered from depression and self-doubts. By 1918 his marriage was falling apart, divorce was being discussed, and the world was at war. John and Esther, and their two-year old son, Bengt or Putte, were on their way to a new home in Stockholm, where John hoped for spiritual renewal and a new life for himself and his family. In the wake of the recent well-publicized train accident of Geta, John booked their return to Stockholm on a ferry, the Per Brahe steamer. John Bauer died in the shipwreck of Per Brahe along with Ester and Bengt
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