Gustave Courbet Locations
was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century.
Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs.
In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night. Related Paintings of Gustave Courbet :. | Isolated Rock (Le Rocher isolx) | Study of Smash | Portrait of juliette Courbet | Stream in the Jura Mountains | Come back from Meeting |
Related Artists:BARRA, Didier
French painter (b. 1590, Metz, d. 1644, Napoli
French painter, active in Italy. He was for a long time confused with FRAN?OIS DE NOM?, and the work of both artists was thought to be by a Mons? Desiderio, a 'highly praised painter of perspectives and city scenes' (de Dominici). It is now generally accepted that Mons? Desiderio was the pseudonym of Didier Barra (1982 exh. cat.), son of Cl?ment Barra. Didier Barra left Metz probably c. 1608, when his name appeared for the last time in the city archives. From c. 1630 he was active in Naples, where he came into contact with landscape and townscape painters from northern Europe. De Dominici wrote that he was associated with Belisario Corenzio. The point of departure in reconstructing Barra's oeuvre is the Panoramic View of Naples (Naples, Mus. N. S Martino), which is signed and dated Desiderius Barra ex civitate Methensi in Lotharingia, F. 1647. The picture is a precise and panoramic view of Naples from the sea, from a single viewpoint, enriched by lively brushwork and with spirited scenes of shipping in the foreground. Its topographical precision suggests that Barra was influenced by the engravings of large views of Naples made by Alessandro Baratta ( fl 1629-30), and he may himself have trained as a cartographer. On the basis of this picture, several views of Naples have been attributed to Barra.Edward Borein
American Golden Age Illustrator, 1882-1945,was an American artist and illustrator. He was the star pupil of the artist Howard Pyle, and became one of America's greatest illustratorsDuring his lifetime, Wyeth created over 3,000 paintings and illustrated 112 books, 25 of them for Scribner's, the work for which he is best known.Wyeth was a realist painter just as the camera and photography began to compete with his craft. Sometimes seen as melodramatic, his illustrations were designed to be understood quickly. Wyeth who was both a painter and an illustrator, understood the difference, and said in 1908, Adolfo Muller-Ury
(March 29, 1862 - July 6, 1947) was a Swiss-born American portrait painter and impressionistic painter of roses and still life.
He was born Felice Adolfo Meller on March 29, 1862 at Airolo, in the Ticino in Switzerland, into a prominent patrician family whose lineage descended from Alfred the Great, Charlemagne and Doge Pietro Orseolo of Venice, through the von Rechburg family (a lady from which family married a Meller) and by the 18th and 19th centuries included mercenaries, lawyers, hoteliers and businessmen. His father was lawyer Carl Alois Meller (1825 - 1887), Gerichtspräsident (Presiding Judge) of the Cantonal Courts, and his mother Genovefa Lombardi (1836 - 1920), daughter of Felice Lombardi who was Director of the Hospice on the St Gotthard Pass, which he took over from the Capuchin monks who had run this for centuries. Adolfo was their sixth of nineteen children, most of whom survived infancy. The family spoke Airolese mainly, a local dialect of Ticinese Italian, as well as Swiss-German. His family were Roman Catholic.