Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Giovanni Fattori
Mary Stuart at the Camp of Crookstone

ID: 58768

Giovanni Fattori Mary Stuart at the Camp of Crookstone
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Giovanni Fattori Mary Stuart at the Camp of Crookstone


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Giovanni Fattori

Italian Realist Painter , 1825-1908 was an Italian artist, one of the leaders of the group known as the Macchiaioli. He was initially a painter of historical themes and military subjects. In his middle years, inspired by the Barbizon school, he became one of the leading Italian plein-airists, painting landscapes, rural scenes, and scenes of military life. After 1884, he devoted much energy to etching.   Related Paintings of Giovanni Fattori :. | Bewaldeter Strand | Mary Stuart at the Camp of Crookstone | Ochsengespann | Berittener Hirte und Kuhe | Artilleriecorps zu Pferd auf einer Dorfstrasse |
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George Hardy
(1822-1909) was an English genre painter, a member of the Cranbrook Colony and eldest brother to Frederick Daniel Hardy. Hardy was born in Brighton in Sussex the first son (of 8 children) of George Hardy (b. 1796 in London), a musician to George IV, Queen Adelaide, and Queen Victoria in the Royal household at Windsor. His mother was Sarah Lloyd (b. 1804). Hardy became an oil painter of light-hearted genre subjects and moved to the artists' colony in Cranbrook in Kent. He married Ellen Hutton in May 1862 and the couple had 3 children. Hardy died in Eastbourne in 1909.
CERUTI, Giacomo
Italian Painter, 1698-1767 Italian painter. He was one of a group of artists working in Bergamo and Brescia who observed reality with an unusual freshness and directness. He painted religious subjects and portraits but was most distinguished as a painter of genre and low-life scenes. These included many pictures of beggars and vagabonds ( pitocchi), hence his nickname 'il Pitocchetto'. He married in Milan in 1717 but settled in Brescia in 1721. In 1723 he received a horse in payment for three altarpieces and four frescoes for the parish church of Rino di Sonico; they were mediocre works executed in an unadventurous blend of Lombard and Venetian traditions derived from contemporary Venetian painters working in Brescia. Ceruti's early portraits and genre scenes are less conventional and more intensely felt; in 1724 he signed and dated the strikingly naturalistic portrait of Giovanni Maria Fenaroli
Ambrosius Benson
(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance. While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain. Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's






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