Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Germain-Fabius Brest
View of Constantinople

ID: 40027

Germain-Fabius Brest View of Constantinople
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Germain-Fabius Brest View of Constantinople


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Germain-Fabius Brest

French, 1823-1900  Related Paintings of Germain-Fabius Brest :. | Portrait of a Seated Woman wr | View from Danube | Ansicht von Salzburg vom Burglstein aus, | Koude herfstdag | Portrait of the Duchess of Alba. Alternately known as The Black Duchess |
Related Artists:
Sir Edward john poynter,bt.,P.R.A
1836-1919 English painter, draughtsman, decorative designer and museum official. He came from an artistic family: his great-grandfather was Thomas Banks the sculptor, and Ambrose Poynter, his father, was an architect and watercolour painter. Edward began studying art in 1852 under Thomas Shotter Boys, a friend of his father. In 1853-4 Poynter visited Rome, where he was greatly impressed by the large-scale academic painting of Frederic Leighton. Returning to London, he studied at Leigh's Academy and the studio of William Dobson (1817-1898). Poynter entered the Royal Academy Schools in 1855 but his admiration for French painting led him to Charles Gleyre's studio in Paris the following year. He remained there until 1859, with fellow students George Du Maurier, Thomas Armstrong and Whistler; their activities are described in Du Maurier's novel Trilby (1894). At this time Poynter received his first commissions for decorative work. He began designing stained glass and painting furniture and, after his return to England, he was employed by his friend the architect William Burges to decorate the ceiling of Waltham Abbey, Essex, in 1860.
Cazin Jean-Charles
French landscapes painter and ceramist , 1841-Le Lavandou 1901 Painter and ceramicist. His earliest paintings reveal close affinities with the realist tradition, while his later compositions (mostly landscapes of northern France) demonstrate an awareness of Impressionism and a commitment to recording the changing effects of light and atmosphere. He was sent to England for health reasons but by 1862 or 1863 was living in Paris and active in avant-garde artistic circles.
Austrian School
painted Future Emperor Charles VI in before 1711






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