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c. 1445 – May 17, 1510. Italian painter.

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Gentile Bellini
the miracle of the true cross near san lorenzo bridge

ID: 55984

Gentile Bellini the miracle of the true cross near san lorenzo bridge
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Gentile Bellini the miracle of the true cross near san lorenzo bridge


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Gentile Bellini

Italian c1429-1507 Gentile Bellini Gallery (b Venice, ?1429; d Venice, 23 Feb 1507). Painter and draughtsman, son of (1) Jacopo Bellini. An official painter of the Venetian Republic, he was a dominant figure in Venetian art for several decades in the latter half of the 15th century, known particularly for portraits and large narrative paintings in which the city and its inhabitants are depicted in great detail.  Related Paintings of Gentile Bellini :. | the miracle of the true cross near san lorenzo bridge | The Agony in the Garden | Procession in St Mark's Square | Sacra Conversazione | Portrait of Mehmed II by Venetian artist Gentile Bellini |
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Francois Dumont
(1751-1831) was a French painter of portrait miniatures Dumont was born at Lunville (Meurthe), and was left an orphan when quite young, with five brothers and sisters to support. He was for a while a student under Jean Girardet, and then, on. the advice of a Lunville Academician, Madame Coster, set up a studio for himself. In 1784 he journeyed to Rome, returning after four years careful study, and in 1788 was accepted as an Academician and granted an apartment in the Louvre. He married the daughter of Antoine Vestier, the miniature painter, and had two sons, Aristide and Bias, both of whom became painters. Dumont was one of the three greatest miniature painters of France, painting portraits of Louis XVI, Marie Antoinette, Louis XVIII and Charles X, and of almost all the important persons of his day. His own portrait was engraved both by Francis Audouin and by Jean-Charles Tardieu. He resided the greater part of his life in Paris, and there he died. A younger brother, Tony Dumont, was also a miniature painter, a pupil of his brother, a frequent exhibitor and the recipient of a medal from the Academy in 1810. Each artist signed with the surname only, and there is some controversy concerning the attribution to each artist of his own work. Tony was an expert violinist and delighted in painting portraits of persons who were playing upon the violin. Many of Dumont's finest paintings came into the collection of J. P. Morgan, but others are in the Louvre, presented by the heir of Bias Dumont. The work of both painters is distinguished by breadth, precision and a charming scheme of coloring, and the unfinished works of the elder brother are amongst some of the most beautiful miniatures ever produced.
Master John
(floruit 1544-1545)
STANZIONE, Massimo
Italian Baroque Era Painter, 1585-1656 Italian painter. Primarily a painter of altarpieces and frescoes, his large production and vast following of students and imitators made him perhaps the leading Neapolitan painter in the first half of the 17th century. He was known as the great rival of Jusepe de Ribera, and for most of the 1630s and 1640s he and Ribera dominated painting in Naples. Stanzione's rich colour and idealized naturalism, for which he was called 'il Guido Reni napoletano', definitively influenced numerous local artists and remained discernible in the earliest works (1670s) of Francesco Solimena. Only a few portraits and mythological paintings by Stanzione are known,






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