Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Gabriel Lory fils
Soiree champetre in l-oberhasli District of Bern

ID: 45061

Gabriel Lory fils Soiree champetre in l-oberhasli District of Bern
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Gabriel Lory fils Soiree champetre in l-oberhasli District of Bern


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Gabriel Lory fils

1784-1846   Related Paintings of Gabriel Lory fils :. | Appenzeller Steinstossen | View of the old lock Schadau in Thun | The meal champetre | Fall taken Staubbach has l-entree of the town of Lauterbrunne | Elisabeth Grossmann,La Beautiful Bateliere of Brienz |
Related Artists:
Palmer, Samuel
English, 1805-1881 English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery.
Carlo Dolci
1616-1686 Italian Carlo Dolci Locations Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.
Eleanor Fortescue-Brickdale,RWS
1872-1945 English illustrator, painter and designer. She entered the Royal Academy Schools, London, and won a prize for a mural design in 1897. She specialized in book illustration, in pen and ink and later in colour. Among her many commissions were illustrations to Tennyson's Poems (1905) and Idylls of the King (1911) and Browning's Pippa Passes (1908). She was particularly popular with the publishers of the lavishly illustrated gift-books fashionable in the Edwardian era. She exhibited regularly at the Royal Academy and the Royal Water-Colour Society. She took up stained-glass design (windows in Bristol Cathedral), which modified her style of illustration to flat areas of colour within black outlines.






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