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c. 1445 – May 17, 1510. Italian painter.

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Gabriel Lory fils
Detail of Ansicht von Unterseen mit Blick auf die Jungfrau

ID: 45066

Gabriel Lory fils Detail of Ansicht von Unterseen mit Blick auf die Jungfrau
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Gabriel Lory fils Detail of Ansicht von Unterseen mit Blick auf die Jungfrau


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Gabriel Lory fils

1784-1846   Related Paintings of Gabriel Lory fils :. | Wildheuer | House of peasants in the vicinity of Bern | Ansicht von Unterseen mit Blick auf die Jungfrau | View of the old lock Schadau in Thun | Detail of Ansicht von Unterseen mit Blick auf die Jungfrau |
Related Artists:
Henry George Hine,RI
1811-1895
Constantin Hansen
Danish 1804-1880 Constantin Hansen Galleries Danish painter. In 1816 he entered the Kongelige Akademi for de Sk?nne Kunster, Copenhagen, intending to study architecture; however he later became attracted to painting and worked under C. W. Eckersberg from 1828 to 1833. Around the middle of the 1820s he started developing an individual style of portraiture, which had matured by 1830. He often used his sisters and friends as models; using simple costumes, poses and compositions, he managed to endow his pictures with the intimacy and warmth that mark the Danish Golden Age. The Artist's Sisters Signe and Henriette Reading a Book (1826; Copenhagen, Stat. Mus. Kst) is a fine example of his combination of natural observation with Neo-classical idealization. Under Eckersberg, who encouraged both, he strengthened his natural flair for painting serene architectural views of Copenhagen.
Abraham jansz.begeyn
Dutch painter and draughtsman , 1637-1697 was a Dutch painter of landscapes and cattle in the manner of Nicolaes Pietersz Berchem. Begeyn's earliest known work is from 1653. In 1655 he joined the painter's guild of Leiden, where he staid until at least 1667. He was then active in Amsterdam and The Hague, before he took his residence in Berlin in 1688. There his works were greatly prized, and, according to Houbraken, he was principal painter to Frederick III, the elector of Brandenburg, afterwards king of Prussia. In many collections in the Netherlands, the pictures of Begeyn are placed amongst those of the most admired masters. His pencilling is light and free, and his colouring very agreeable. Many of his works are landscapes, with views of rivers, ruins, and pieces of architecture,






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