Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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GUARIENTO d Arpo
Angel hi

ID: 07226

GUARIENTO d Arpo Angel hi
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GUARIENTO d Arpo Angel hi


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GUARIENTO d Arpo

Italian painter (active 1338-1368 in Padua)  Related Paintings of GUARIENTO d Arpo :. | Angel khi | Archangel ighi | Angel hi | Angel with Millstone | Angel lyiu |
Related Artists:
MELZI, Francesco
Italian Painter, 1493-1570 Italian painter and draughtsman. Belonging to a noble Lombard family, he began to attend the workshop of Leonardo da Vinci around 1508, during Leonardo's second visit to Milan. From that time on he was always associated with Leonardo, whose favourite pupil he became: he followed Leonardo to Rome in 1513 and moved with him to France in 1515, staying with him until his death in 1519.
William Yates
painted Fisherman on the River Bank in 19th Century
Vicente Carducho
(in Spanish, sometimes Vicencio or Vicente Carducho; 1568-1638) was an Italian painter. He was born in Florence, and was trained as a painter by his brother Bartolomeo, whom he followed to Madrid as a boy. He Initially painted some works at Valladolid and helped his brother in painting at the Escorial for Philip II of Spain. He returned to the court of Philip III in Madrid in 1606 and helped decorate the recently rebuilt Palacio del Pardo. While at work his brother died, and Vicente took his place. He painted there a history of Achilles. When finished, he was employed for four years by the monks of the Chartreuse of el Paular to decorate their monastery with 55 canvases of historical figures the great cloister. 27 represent the live of St. Bruno, 27 of martyrs. He worked a great deal for the subsequent monarch, Philip IV, and his best pictures are those he executed for him as decorations in the Prado. Examples of his work are preserved at Toledo, Segovia, and several other Spanish cities. For many years he labored in Madrid as a teacher of his art, and among his pupils were Giovanni Ricci, Pedro Obregon, Vela,[disambiguation needed ] Francisco Collantes, and other distinguished representatives of the Spanish school during the 17th century. He also authored a treatise, De las Excelencias de la Pintura or Dielogos de la pintura, su defensa, origen, essencia, definicien, modos, y differencias, published in 1633. Written in classical tradition as a dialogue between a master and an apprentice. Following strict piety of the Spanish realm,






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