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c. 1445 – May 17, 1510. Italian painter.

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Frederick William Woodhouse
The first settlers discover Buckley

ID: 82313

Frederick William Woodhouse The first settlers discover Buckley
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Frederick William Woodhouse The first settlers discover Buckley


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Frederick William Woodhouse

Frederick William Woodhouse 1820-1909 Woodhouse was born in Britain, but is better known as an Australian artist after his move to Australia. He painted images of Bush Life, and made many images from direct observation in sketchbooks and watercolors. He was also Australiaes most important horse racing painter, having painted every Melbourne Cup winner from 1861 until the introduction of the trackside camera. Although horses were his mainstay, Woodhouse also painted dogs, sheep, cattle, landscapes and portraits of persons. Between 1893 and 1894 he made a number of landscapes during a trip to Tasmania.   Related Paintings of Frederick William Woodhouse :. | a mounted bugler blowing a large bell instrument. | Landscape with Mill near the Salt Ponds | Grizzly Bears | The Goethe Monument (mk45) | Die Versuchung des hl. Antonius |
Related Artists:
theodor alt
(Januar 1846 in Döhlau bei Hof (Oberfranken); 8. Oktober 1937 in Ansbach) war ein deutscher Maler. Alt war der Sohn des Döhlauer Pastors Heinrich Alt und dessen Ehefrau Justina Ziegler. Nach erstem Unterricht durch seinen Vater besuchte Alt die Lateinschule in Regensburg, wo sein Vater von 1856 bis 1870 der evangelischen Gemeinde vorstand. 1861 wechselte er an die Kunstgewerbeschule N??rnberg, wo er als Schuler von Hans Ringlein bis 1863 blieb. Im Spatsommer desselben Jahres wechselte Alt mit Empfehlung seiner Lehrer an die Kunstakademie in M??nchen. Dort wurde er zuerst Sch??ler von Hermann Ansch??tz und in den Jahren 1866 bis 1873 bei Arthur von Ramberg.
MONTAGNA, Bartolomeo
Italian Early Renaissance Painter, 1450-1523 Painter and draughtsman. Montagna is first documented in 1459 in Vicenza as a minor and, still a minor, in 1467. In 1469 he is recorded as a resident of Venice. In 1474 he was living in Vicenza where, in 1476 and 1478, he was commissioned to paint altarpieces (now lost). He has variously been considered a pupil of Andrea Mantegna (Vasari), Giovanni Bellini, Antonello da Messina, Alvise Vivarini, Domenico Morone and Vittore Carpaccio. While none of these artists, except Carpaccio, was irrelevant to Montagna's stylistic formation, scholars agree that Giovanni Bellini was the primary influence on his art. He may have worked in Bellini's shop around 1470. Several of Montagna's paintings of the Virgin and Child in which the influence of Antonello da Messina is especially marked (e.g. two in Belluno, Mus. Civ.; London, N.G., see Davies, no. 802) are likely to be close in date to Antonello's sojourn in Venice (1475-6); they are therefore best considered Montagna's earliest extant works (Gilbert, 1967) rather than as an unexplained parenthesis around 1485 between two Bellinesque phases (Puppi, 1962). These early paintings appear to be followed by others in which the geometrically rounded forms derived from Antonello become more slender and sharper-edged. Their figures are imbued with a deeply felt, individual humanity, sometimes austere and minatory, sometimes tender. Among them are some larger-scale works, for example the Virgin and Child Enthroned with SS Nicholas and Lucy (Philadelphia, PA, Mus. A.) and a Virgin and Child Enthroned with SS Ansanus, Anthony Abbot, Francis and Jerome
Oostsanen, Jacob Cornelisz van
Flemish, 1472-1533






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