1581-1641
Italian
Domenichino Locations
Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle. Related Paintings of Domenichino :. | Apparition of the Virgin and Child and San Gennaro at the Miraculous Oil Lamp | The Repose of Venus | The Assumption of Mary Magdalene into Heaven | Portrait of Cardinal Agucchi | Saint George Killing the Dragon | Related Artists:
Kane PaulIrish-born Canadian Painter
b.1810 d.1871
was an Irish-Canadian painter, famous for his paintings of First Nations peoples in the Canadian West and other Native Americans in the Oregon Country. A largely self-educated artist, Kane grew up in Toronto (then known as York) and trained himself by copying European masters on a study trip through Europe. He undertook two voyages through the wild Canadian northwest in 1845 and from 1846 to 1848. The first trip took him from Toronto to Sault Ste. Marie and back. Having secured the support of the Hudson's Bay Company, he set out on a second, much longer voyage from Toronto across the Rocky Mountains to Fort Vancouver and Fort Victoria in the Columbia District, as the Canadians called the Oregon Country. On both trips Kane sketched and painted Aboriginal peoples and documented their lives. Upon his return to Toronto, he produced more than one hundred oil paintings from these sketches. Kane's work, particularly his field sketches, are still a valuable resource for ethnologists.
Albert von KellerAlbert von Keller (April 27, 1844 - July 14, 1920) was a German painter.
He was born at Gais, in Switzerland; he studied at the Munich Academy under Lenbach and Ramberg, and must be counted among the leading colorists of the modern German school. Travels in Italy, France, England and Holland, and a prolonged sojourn in Paris, helped to develop his style. His scenes of society life, such as the famous "Dinner" (1890), are painted with thoroughly Parisian esprit, and his portraits are marked by the same elegant distinction. He was particularly successful in the rendering of rustling silk and satin dresses and draperies. His historical and imaginative works were as modern in spirit and as unacademical as his portraits. As of 1911, at the Munich Pinakothek was his painting "Jairi Töchterlein" (1886), while the Königsberg Museum contained his "Roman Bath", and the Liebieg collection in Reichenberg the "Audience with Louis XV", the first picture that drew attention to his talent. Among other important works he painted "Faustina in the Temple of Juno at Praeneste", "The Witches Sleep" (1888), "The Judgment of Paris", "The Happy Sister", "Temptation" (1892), "Autumn" (1893), "An Adventure" (1896), and "The Crucifixion".
axel gustaf hertzberg1832-1878
Axel Gustaf Hertzberg född 27 augusti 1832 i Jämtland, död 2 september 1878 i Dusseldorf , Tyskland var en svensk bildkonstnär.
Hertzberg ägnade sig först åt porträtteckning och litografi men övergick senare till oljemåleri. Han studerade vid konstakademien i Stockholm 1849-1860. Han gjorde en resa till Finland där han stannade två år. Därefter studerade han konst i Paris, och slutligen Dusseldorf.
Hertzberg blev 1867 agre vid konstakdemien i Stockholm.