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c. 1445 – May 17, 1510. Italian painter.

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Claude Monet
Impresstion Sunrise

ID: 49469

Claude Monet Impresstion Sunrise
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Claude Monet Impresstion Sunrise


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Claude Monet

French Impressionist Painter, 1840-1926 Claude Oscar Monet (14 November 1840 C 5 December 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting. Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the ninth arrondissement of Paris . He was the second son of Claude-Adolphe and Louise-Justine Aubree Monet, both of them second-generation Parisians. On 20 May 1841, he was baptised into the local church parish, Notre-Dame-de-Lorette as Oscar-Claude. In 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery store business, but Claude Monet wanted to become an artist. His mother was a singer. On the first of April 1851, Monet entered the Le Havre secondary school of the arts. He first became known locally for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857 he met fellow artist Eugene Boudin who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" (outdoor) techniques for painting. On 28 January 1857 his mother died. He was 16 years old when he left school, and went to live with his widowed childless aunt, Marie-Jeanne Lecadre. After several difficult months following the death of Camille on 5 September 1879, a grief-stricken Monet (resolving never to be mired in poverty again) began in earnest to create some of his best paintings of the 19th century. During the early 1880s Monet painted several groups of landscapes and seascapes in what he considered to be campaigns to document the French countryside. His extensive campaigns evolved into his series' paintings. Camille Monet had become ill with tuberculosis in 1876. Pregnant with her second child she gave birth to Michel Monet in March 1878. In 1878 the Monets temporarily moved into the home of Ernest Hosched, (1837-1891), a wealthy department store owner and patron of the arts. Both families then shared a house in Vetheuil during the summer. After her husband (Ernest Hoschede) became bankrupt, and left in 1878 for Belgium, in September 1879, and while Monet continued to live in the house in Vetheuil; Alice Hosched helped Monet to raise his two sons, Jean and Michel, by taking them to Paris to live alongside her own six children. They were Blanche, Germaine, Suzanne, Marthe, Jean-Pierre, and Jacques. In the spring of 1880 Alice Hosched and all the children left Paris and rejoined Monet still living in the house in Vetheuil. In 1881 all of them moved to Poissy which Monet hated. From the doorway of the little train between Vernon and Gasny he discovered Giverny. In April 1883 they moved to Vernon, then to a house in Giverny, Eure, in Upper Normandy, where he planted a large garden where he painted for much of the rest of his life. Following the death of her estranged husband, Alice Hosched married Claude Monet in 1892.   Related Paintings of Claude Monet :. | Guurtje Van de Stadt | Study of a Figure outdoors | Road to Giverny in Winter | Yellow Irises | Bend in the Seine,near Vetheuil |
Related Artists:
Thomas Uwins
English Painter, 1782-1857 English painter and illustrator. He was apprenticed to the line-engraver Benjamin Smith (d 1833) in 1797, but his greater interest in portrait painting led him to take life classes at the Royal Academy, London; he exhibited portraits there from 1799. Versatile and industrious, he painted miniature likenesses, taught drawing, designed and engraved illustrations for books in French, Portuguese and English, and wrote for and illustrated Rudolph Ackermann's Repository. His half-a-crown watercolours, known as 'pretty faces', were particularly popular, and he found employment as an assiduous copyist. In 1809 he was elected to the Society of Painters in Water-Colours and for the next nine years exhibited careful and colourful images of the countryside that provided views of the year's harvest. In 1817 Uwins travelled to France to record the Burgundian grape harvest, identifying the labour force more obviously as peasants than their English counterparts. In debt, he moved in 1820 to Edinburgh, where he illustrated books by Walter Scott and painted portraits. In 1824, his debt paid, he left for Italy, where he spent seven years; he sent highly valued copies of Italian works back to England (to Thomas Lawrence among others) and made studies of life in and around Rome and Naples, from which his later successes at the Royal Academy derived. An immodest Protestant, Uwins deplored but revelled in the 'polluted streams' of Catholic Italy, and provided London with oils renowned for their clarity and colour. A Neapolitan Saint Manufactory (exh. RA 1832; Leicester, Mus. & A.G.) shows monks haggling, women gazing and children playing amid carved and painted icons.
PREDIS, Ambrogio de
Italian Early Renaissance Painter, ca.1455-1508 Painter and illuminator, half-brother of Cristoforo de Predis. He began his career as an illuminator, working with Cristoforo. His first documented works are seven miniatures for a Book of Hours (1472; destr.) for Vitaliano Borromeo (1451-95) and a Book of Hours for Francesco Borromeo. He was paid for the latter in 1474, and the codex can probably be identified with the Horae Beatae Virginis Mariae (ex-H. P. Kraus, New York, 1987; Suida, 1959). From 1479 he artist worked in the Milanese mint, together with his brother Bernardino. For some years Giovanni Ambrogio also worked at the court of Ludovico Sforza ('il Moro'), especially as a portrait painter. This is borne out by the charcoal drawing of Bianca Maria Sforza (1492; Venice, Accad.), which dates from a period before her marriage to Emperor Maximilian I. The portrait was ordered by her future husband, through Frederick III, Duke of Saxony, to give him an idea of her appearance. It was favourably received, and later a painting of the same subject (Washington, DC, N.G.A.) was commissioned from Giovanni Ambrogio.
TRAVERSI, Gaspare
Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749






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