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c. 1445 – May 17, 1510. Italian painter.

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Charles Blechen
Sunset at Sea

ID: 00072

Charles Blechen Sunset at Sea
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Charles Blechen Sunset at Sea


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Charles Blechen

1789-1840 German Charles Blechen Locations   Related Paintings of Charles Blechen :. | The Bay of Rapallo | Monastery in the Wood | London: the Old Horse Guards and Banqueting Hall, from St James s Park cdc | Sunset at Sea | The Building of the Devil's Bridge |
Related Artists:
Agasse, Jacques-Laurent
Swiss Painter, 1767-1849 Specializes in AnimalsEnglish painter of Swiss birth. Born into a wealthy and politically influential Huguenot family, Agasse spent his early childhood at the country estate of Cr?vin, where he may have developed the interest in animals and natural history that was to guide his later career as an artist in England. Agasse trained first at the Ecole du Colibri in Geneva and subsequently in Paris under Jacques-Louis David (beginning in 1787) and possibly under Horace Vernet. His early artistic output consisted chiefly of unpretentious silhouette 'cut-outs' in the style of Jean-Daniel Huber.
Arthur hacker,R.A.
1858-1919 was an English classicist painter. Born in London in 1858, Hacker was the son of Edward Hacker, a line engraver specialising in animal and sporting prints (who was also for many years the official Registrar of Births, Marriages and Deaths for Kentish Town in the St Pancras registration district, north London). In his art he was most known for painting religious scenes and portraits, and his art was also influenced by his extensive travels in Spain and North Africa. He studied at the Royal Academy between 1867 and 1880, and at the Atelier Bonnat in Paris. He was twice exhibited at the Royal Academy, in 1878 and 1910, and was elected an Academician in 1910. In 1894 he was the subject of a bust by Edward Onslow Ford. An original portrait by Hacker of Sir Alfred Keogh by hangs in the RAMC HQ Mess at Millbank, London. He died in London on November 12, 1919. In 1902,
Mattia Preti
1613-1699 Italian Mattia Preti Gallery Born in the small town of Taverna in Calabria, Preti was sometimes called Il Cavalier Calabrese (the Knight of Calabria). His early apprenticeship is said to have been with the "Caravaggist" Giovanni Battista Caracciolo, which may account for his life-long interest in the style of Caravaggio. Probably before 1630, Preti joined his brother Gregorio (also a painter), in Rome, where he became familiar with the techniques of Caravaggio and his school as well as with the work of Guercino, Rubens, Reni, Giovanni Lanfranco. In Rome, he painted fresco cycles in Sant'Andrea della Valle and San Carlo ai Catinari. Between 1644 and 1646, he may have spent time in Venice, but remained based in Rome until 1653, returning later in 1660-61. He painted frescoes for the church of San Biago at Modena (app. 1651-2) and participated in the fresco decoration of the Palazzo Pamphilj in Valmontone (documented 1660-61), where he worked along with Pier Francesco Mola, Gaspar Dughet, Francesco Cozza, Giovanni Battista Tassi (il Cortonese), and Guglielmo Cortese. Jacob blessing his grandchildren, Ephraim and Manasseh, in the presence Joseph and their mother Asenath. Whitfield Fine Art Gallery, London.During most of 1653-1660, he worked in Naples, where he was influenced by the other major Neapolitan painter of his era, Luca Giordano. One of Preti's masterpieces were a series of large frescoes, ex-votos of the plague (which were painted on seven city gates but have since been lost to the ravages of time), depicting the Virgin or saints delivering people from the plague. Two sketches are in the Capodimonte Museum in Naples. The bozzetto of the Virgin with the baby Jesus looming over the dying and their burial parties envisions a Last Judgement presided over by a woman. Preti's salary for the work was 1500 ducats. Preti also won a commission to supervise the construction, carving, and gilding for the nave and transept of San Pietro a Maiella. Having been made a Knight of Grace in the Order of St John, he visited the order??s headquarters in Malta in 1659 and spent most of the remainder of his life there. Preti transformed the interior of St. John's Co-Cathedral in Valletta, with a huge series of paintings on the life and martyrdom of St. John the Baptist (1661-1666). In Malta one also can find many paintings of Preti in private collections and in parish churches. His increased reputation led to an expanded circle of patrons, and he received commissions from all over Europe. Preti was fortunate to enjoy a long career and have a considerable artistic output. His paintings, representative of the exuberant late Baroque style, are held by many great museums, including important collections in Naples, Valletta, and in his hometown of Taverna.






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