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c. 1445 – May 17, 1510. Italian painter.

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CRANACH, Lucas the Younger
woman with a hat

ID: 64250

CRANACH, Lucas the Younger woman with a hat
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CRANACH, Lucas the Younger woman with a hat


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CRANACH, Lucas the Younger

German painter (b. 1515, Wittenberg, d.1586, Weimar) was a German Renaissance artist, known for his woodcuts and paintings. He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop. The style of their paintings can be so similar that there have been some difficulties in attribution of their works.   Related Paintings of CRANACH, Lucas the Younger :. | Portrait of Lucas Cranach the Elder | Portrait of a Woman sdgsdftg | Venus and Amor fghe | Christ and the Fallen Woman (detail) | Portrait of Sophia Magdalena of Denmark |
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William Lees Judson
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Francois Joseph Navez
1787-1869 French Francois Joseph Navez gallery Francois-Joseph Navez (Charleroi, 1787 - Brussels, 1869) was a Belgian neo-classical painter. A pupil of Jacques-Louis David, he spent five years in Italy between 1817 and 1822. He was a very successful portrait painter. He also painted many mythological and historic subjects. The orientalist painter Jean-Francois Portaels was his pupil (and son-in-law).
Karl Nordstrom
Swedish Painter, 1855-1923 was a Swedish painter and one of the leading members of Konstnärsförbundet, which he chaired from 1896 until its dissolution in 1920. Born on Gotland, but growing up on Tjörn on the Swedish West Coast, Nordström studied at principskolan, the preparatory school of the Royal Academy of Arts in Stockholm and the private painting school of Edvard Perseus, but was never promoted to the "Antique school" of the Academy but had to continue on his own. Traveling to Paris in 1881, he was influenced by the impressionists. He spent a couple of years in Grez-sur-Loing, the site of an important colony of Scandinavian artists, practising his plein air painting in the strong French sunlight. In 1885, he joined the group of young artists protesting against the policies and leadership of the Academy, and he was ever since 1886 one of the leading members of Konstnärsförbundet, the formalization of the opposition group. He was its chairman from 1896 until its dissolution in 1920. In 1886, he married xylographer and photographer Tekla Lindeström in Paris. Later the same year, he settled on Tjörn, using what he had learnt in France about light and colours to depict the landscape where he had grown up. He spent the summer of 1889 in Visby. Around 1890, he moved from his earlier impressionism towards a more synthetist style. His influences came from Japanese art, which he had encountered in Paris, and from Gauguin, whose paintings he first saw in photographs he had received from Ivan Agueli. One of Nordström's old friends from the time at the Academy and in Perseus' school, Nils Kreuger, had lived in the city of Varberg since 1888. He convinced Nordström to move there in 1892, and they were joined by another of their old friends, Richard Bergh, in 1893.






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