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c. 1445 – May 17, 1510. Italian painter.

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COELLO, Claudio
Triumph ot St.Augustine

ID: 32942

COELLO, Claudio Triumph ot St.Augustine
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COELLO, Claudio Triumph ot St.Augustine


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COELLO, Claudio

Spanish Baroque Era Painter, 1642-1693 Spanish painter and draughtsman. Together with the court painters Francisco Rizi, Juan Carre?o de Miranda and Francisco de Herrera, he was one of the foremost exponents of a style of Spanish painting that developed between c. 1660 and 1700 and was characterized by theatrical compositions and rich colours. The sources of this late Baroque style, which was distinct from that of the previous generation of Spanish Baroque artists, most of whom painted sober, realistic depictions of religious and secular life, lie in the influence exerted by Venetian Renaissance painting and by Italian and Flemish art of the period,   Related Paintings of COELLO, Claudio :. | St.Dominic de Guzman | La Sagrada Forma | The Adoration of the Holy Family by St.Louis.King of France,and Othe Saints | King Charles II (mk08) | King Charles II xcg |
Related Artists:
geoorg engelhard schroder
1684+1750 study of a hand . nationalmuseum
Master of the Vienna Lamentation
painted Left wing of an altarpiece with the Circumcision and the Virgin of an Annunciation in c. 1515-1525
Adriaen Van Diest
was born at the Hague in 1655. He was the son of Jeronymus van Diest, a painter of sea-pieces, by whom he was instructed in the art. When he was seventeen years of age he came to London, and was employed by Granville, Earl of Bath, for whom he painted several views and ruins in the west of England. He also painted portraits, but did not meet with much encouragement, although his pictures, particularly his landscapes, possess considerable merit; as a proof of which Horace Walpole states that there were seven pictures by Van Diest in Sir Peter Lely's collection. He etched several landscapes from his own designs, in a slight, masterly style. Van Diest died in London in 1704. Unfortunately for his reputation, he is generally known by his worst pictures, which are frequently found in old houses, on wainscots, or over doors, and are executed in a hasty manner, with much mountainous background. His better pictures have changed their name.






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