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c. 1445 – May 17, 1510. Italian painter.

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COELLO, Claudio
The Adoration of the Holy Family by St.Louis.King of France,and Othe Saints

ID: 28083

COELLO, Claudio The Adoration of the Holy Family by St.Louis.King of France,and Othe Saints
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COELLO, Claudio The Adoration of the Holy Family by St.Louis.King of France,and Othe Saints


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COELLO, Claudio

Spanish Baroque Era Painter, 1642-1693 Spanish painter and draughtsman. Together with the court painters Francisco Rizi, Juan Carre?o de Miranda and Francisco de Herrera, he was one of the foremost exponents of a style of Spanish painting that developed between c. 1660 and 1700 and was characterized by theatrical compositions and rich colours. The sources of this late Baroque style, which was distinct from that of the previous generation of Spanish Baroque artists, most of whom painted sober, realistic depictions of religious and secular life, lie in the influence exerted by Venetian Renaissance painting and by Italian and Flemish art of the period,   Related Paintings of COELLO, Claudio :. | King Charles II | Charles II Adoring the St Sacrament | The Triumph of St.Augustine | King Charles II xcg | Holy Family dfgd |
Related Artists:
Raphaelle Peale
1774-1825 Peale was born in Philadelphia as the son and first child of Rachel and Charles Willson Peale, a famous portraitist. Lived in Philadelphia, on a home at the corner of 3rd and Lombard. Married Martha (Patty) McGlathery at the age of 20. First first professional exhibition was in 1795 at the age of 21. Artist. Born Raphaelle Peale in Annapolis, Maryland on February 17, 1774, the fifth child, though eldest surviving, of Charles Willson Peale and his first wife Rachel Brewer. As with all the Peale children, Raphael was trained by his father as an artist. Early in his career, the pair collaborated on portraits. On some commissions, Raphael painted miniatures while his brother, Rembrandt, painted full size portraits. In 1792, he made a trip to South America in order to collect specimens for the Peale's Museum. In 1797, with his brother Rembrandt, he traveled to Charleston, South Carolina, where they attempted to establish another museum. The plan fell through, however, and Raphael returned to painting miniatures. He married Martha McGlathery at about that same time, and with her had eight children. For about two years beginning in 1803, Raphael toured Virginia with the ??physiognotrace,' a profile making machine, with which he was briefly successful. In August 1808, he was hospitalized with delirium tremens, exacerbated by severe gout. By 1813, he was unable to walk without crutches. After the downturn in his health, in an era when most artists considered still life a subject worthy only of amateurs, he devoted himself almost exclusively to still life painting. It is for these works he is best known. Raphael Peale is today considered the founder of the American Still Life school. His work was on frequent exhibit at the Pennsylvania Academy of the Fine Arts between 1814 and 1818. After reportedly indulging in a night of heavy drinking, his health destroyed, Raphael died on March 3, 1825 at age 51 at his home in Philadelphia. Peale's tightly grouped still lifes are often permeated with a delicate melancholy akin to that which characterized the life of the artist; he was an alcoholic who suffered the effects of arsenic and mercury poisoning caused by his work as a taxidermist in his father's museum. His spare, essential style may have been influenced by the Spanish still lifes he studied in Mexico and by the works of Juan Sanchez Cotan, exhibited at the Pennsylvania Academy in 1818.
HEEM, Jan Davidsz. de
Dutch painter (b. 1606, Utrecht, d. 1684, Antwerpen). Dutch painter of fruit and flower pieces. He studied with his father, David de Heem, and became one of Holland's foremost still-life painters. His paintings are found in many leading European museums; the Metropolitan Museum possesses three examples. His son and pupil, Cornelis de Heem, c.1631 C 1695,
Vicente Lopez
1772-1850 Spanish Vicente Lopez Gallery was an Argentine writer and politician who acted as interim President of Argentina from July 7, 1827 to August 18, 1827. He also wrote the lyrics of the Argentine National Anthem adopted in May 11, 1813. Lopez began his primary studies in the San Francisco School, and later studied in the Real Colegio San Carlos, today the Colegio Nacional de Buenos Aires. He obtained a doctorate of laws in the University of Chuquisaca. He served as a captain in the Patriotic Regiment during the English invasions. After the Argentine victory he composed a poem entitled El triunfo argentino (The Argentine Triumph). He participated in the Cabildo Abierto of May 22, 1810 and supported the formation of the Primera Junta. He had good relations with Manuel Belgrano. When the royalist members of the city government of Buenos Aires were expulsed, he was elected mayor of the city; he was an enemy of the party of Cornelio Saavedra and one of the creators of the First Triumvirate, of which he was the Treasurer. Lopez was a member of the Constituent Assembly of year XIII, representing Buenos Aires. At the request of the Assembly, he wrote the lyrics to a "patriotic march", which eventually became the Argentine National Anthem. It was a military march, whose music was composed by the Catalan Blas Parera; it was approved on March 11, 1813. The first public reading was at a tertulia on May 7 in the house of Mariquita Sanchez de Thompson. It displaced a different march, written by Esteban de Luca, which would have been the hymn if not for the more militaristic Lopez.






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