Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s Related Paintings of Sandro Botticelli :. | St Barnabas Altarpiece (mk36) | Cristofano dell'Altissimo,Portrait of Marsilio Ficino | Details of Primavera (mk36) | Young kneeling Mago (mk36) | Mystic Nativity |
Related Artists:Aleksey Korin
Korin Alexey (1865-1923) -
Alexey Korin was born in 1865.
The main themes of his painting were Russian lanscapes, genre-scenes, portraits, interiors.
Studied at the Moscvow School of Painting, Sculpture and Architecture in 1884-1889. Gradueted from this school with big silver medal.
Was the member and took part at the exhebitions of the The Association of Traveling Art Exhibitions (the Itinerants group) since 1891.
Teached at the Moscow School of Painting, Sculpture and Architecture since 1894.
Took part at the World Art Exhibition in Paris in 1900.
Some of the paintings of Alexey Korin were bought by Pavel Tretyakov for his collection. Lorenzo Lippi
Italian painter and poet. He was trained by Matteo Rosselli, with whom he worked for many years in close partnership. His collaboration was sometimes anonymous but is documented from 1622, when they decorated the ceiling of the Sala della Stufa (Florence, Pitti), to 1631-2, when they worked together on lunettes portraying St Francis Adoring the Child and St Catherine in Prison (Florence, S Gaetano). In 1630 Lippi was enrolled in the Accademia del Disegno but appears not to have had his own workshop until after 1634, although he worked independently before then. The earliest paintings attributable to him are, both in facial types and in the soft, rich folds of the drapery, close in style to the work of Rosselli. Examples include canvases of the Apostles James, John and Matthew, and Christ Blessing (all 1628; Vaglia, S Pietro), and the Virgin Handing the Child to St Francis (1629; Florence, S Salvatore di Camaldoli). In the 1630s Lippi painted decorative and theatrical compositions, mainly on literary and biblical themes, which remained indebted to Rosselli, for example Samson and Delilah (1632; Stockholm, Nmus.) and the Virgin in Glory with Saints (1634; Ronta, nr Barberino di Mugello, S Michele). Shortly afterwards he produced worksFrench school