Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s Related Paintings of Sandro Botticelli :. | primavera (mk36) | Venus and Mars (mk36) | Lamentation over Dead Christ | Last Communion of St.Jerome | Portrait of Giuliano de'Medici (mk36) |
Related Artists:Adam Willaerts
(July 21, 1577, London - April 4, 1664, Utrecht ) was a Dutch Golden Age painter.
Willaerts (occasionally Willarts, Willers) was born in London to Flemish parents who had fled from Antwerp for religious reasons. By 1585 the family lived in Leiden. From 1597 until his death, Adam lived in Utrecht, where he became a member of the Guild of St. Luke in 1611, and subsequently rose to dean in 1620. His sons Cornelis, Abraham, and Isaac followed in his footsteps.
He was known as a painter of river and canal pieces, coastal landscapes, fish-markets, processions, and genre scenes. He also painted villages and marine battle scenes.
(c. 1541- c. 1590) was a Florentine painter of the Mannerist style, active in Florence and Rome.
His training began in the studio of Giorgio Vasari, and he participated in decoration of the Studiolo and the Salone dei Cinquecento in the Palazzo Vecchio. Moving to Rome in the early 1570s, he worked for the Cardinal Ferdinando de' Medici in his Palazzo Firenze (1574). He also helped decorate, along with his brother, the apse and dome of Santo Spirito in Sassia with a fresco of the Pentecost. He painted the grand salon of the former Rucellai (now Ruspoli) palace in Rome with mythologic genealogies. Two canvases, representing the Ascension and Resurrection, are housed in the church of San Lorenzo Martire in San Lorenzo Nuovo (Italy).
Samuel Hieronymous Grimm
Swiss Painter, 1733-1794
Swiss painter and draughtsman, active in England. He studied in Berne under Johann Ludwig Aberli and became established as a painter of topographical views in oil and watercolour. His early surviving works (e.g. River Landscape and Landscape with Chasseurs; Basle, priv. col.) are principally tinted drawings of landscapes and alpine scenery, with scenes of rustic life in the foreground; they display his characteristically charming and informal style. He also produced many decorative book illustrations: the frontispiece and plates to Friedrich von Hagedorn's Poetische Werke (1769-72) are among his finest. By 1764 Grimm had abandoned oils and was painting only in watercolour. From 1765 to 1768 he travelled and painted in France; he then moved to England,