Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | Saint Hickes chart Si th | Madonna enthroned with Child and Saints (mk36) | Portrait of Michele Marullo (mk36) | Ecco Homo or The Redeemer (mk39) | The Discovery of the Body of Holofernes |
Related Artists:
Jacopo Bellini
active in Florence 1423-Venice 1470
John Hayter
(1800-1895) was an English portrait painter. He was the second son of the miniaturist Charles Hayter and brother of Sir George Hayter, also a portaitist. He entered the Royal Academy schools in 1815, and began to exhibit at the Royal Academy in the same year. He also exhibited work at the British Institution and the Royal Society of British Artists. Hayter established himself during the 1820s, with portraits of notable figures such as the Duke of Wellington and the opera singer, Giuditta Pasta. His portrait drawings, in chalks or crayons, became particularly popular, a number of them being engraved for The Court Album, Portraits of the female aristocracy (1850-57).
Jan Van Dornicke
was a South Netherlandish painter who was born about 1470 and died about 1527. His first name is sometimes spelled Janssone, and his last name is sometimes spelled van Doornik or van Dornick. He was active in Antwerp from about 1509 to about 1525. His paintings are classified stylistically as Antwerp Mannerism, and he may be the same person as the Master of 1518.