Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Arthur Ignatius Keller
Ichabod Crane Romancing

ID: 33083

Arthur Ignatius Keller Ichabod Crane Romancing
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Arthur Ignatius Keller Ichabod Crane Romancing


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Arthur Ignatius Keller

American , 1866-1924   Related Paintings of Arthur Ignatius Keller :. | Skull (nn04) | Lament fro Christ Dead,with st jerome,St Paul and St Peter (mk36) | Shepherden in the field | Incense of a New Church | The girl do up her hair |
Related Artists:
William Parrott
English Painter, 1813-ca.1869
Piero della Francesca
Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.
Maynard, George Willoughby
American, 1843-1923 American figure, marine, and mural painter, b. Washington, D.C., studied at the National Academy of Design and in Florence and Antwerp. Maynard created decorations for the Library of Congress and the old Metropolitan Opera House, New York City.






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