German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices. Related Paintings of Albert Bierstadt :. | The_Buffalo_Trail | Mount Corcoran | Palm Tree, Nassau by Albert Bierstadt | Western Kansas | Fishing_from_a_Canoe |
Related Artists:Gaspare Landi
Italian, 1756-1830,was an Italian painter of the Neoclassic period, active in Rome and his native city of Piacenza. He is said to have been a fun-loving younth, but in 1781 he procured a subsidy to study painting in Rome from patron and distant relative, Marquis Giambattista Landi. At age 25, he moved to Rome to work under Domenico Corvi and Pompeo Battoni. He is considered a rival of Vincenzo Camuccini. Two of his pictures were once in the Pinacoteca at Parma, Diomedes and Ulysses bearing off the Palladium (1783) and the Marriage of Abraham and Sarah. Above one of the altars in the church of the Santa Casa at Loreto there is a later work by this Landi showing the Madonna addolorata. A major work is his large canvas representing the fainting of Christ as he struggles along over the road to Calvary weighted down by the burden of the Cross, Lo Spasimo for San Giovanni at Piacenza. It hung opposite Vincenzo Camuccini's Presentation. Landi became a member of the Accademia di San Luca of Rome in 1805, professor of the theory of painting in 1812, and president of the Academy in 1817. He was also made a Chevalier of the Order of the Iron Crown, of the Order of San Giuseppe, and of a Neapolitan order. About 1820 he returned to Piacenza, intending to remain there, but soon tired of the monotonous existence of a provincial town, and in 1824 reestablished himself at Rome. His last work was an Assumption and was placed in the church of San Francesco di Paola, at Naples. He returned to Piacenza in 1829, where he died. Sir Frank Dicksee
Sir Frank Dicksee Location
English painter and illustrator. He studied in the studio of his father, Thomas Francis Dicksee (1819-95), who painted portraits and historical genre scenes; he then entered the Royal Academy Schools, London, where he was granted a studentship in 1871. He won a silver medal for drawing from the Antique in 1872 and a gold medal in 1875 for his painting Elijah confronting Ahab and Jezebel in Naboth Vineyard (untraced), with which he made his debut at the Royal Academy in 1876. He also began to work as an illustrator during the 1870s, contributing to Cassell Magazine, Cornhill Magazine, The Graphic and other periodicals. During the 1880s he was commissioned by Cassell & Co. to illustrate their editions of Longfellow Evangeline (1882), Shakespeare Othello (1890) and Romeo and Juliet (1884).Wjatscheslaw Grigorjewitsch Schwarz