Sandro Botticelli's Oil Paintings
	Sandro Botticelli Museum c. 1445 – May 17, 1510. Italian painter.
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Here are all the paintings of Thomas 12

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
7732		The Militia Company of Captain Allaert Cloeck sg	1632 Oil on canvas, 220 x 351 cm Rijksmuseum, Amsterdam (on loan)
1321		The Morning Walk	1785-86 National Gallery, London 111
33816		The Morning Walk	mk86 c.1785/86 Oil on canvas 263.3x179.1cm London,Nationa Gallery
21936		The Morning Walk (mk08)	c.1785/86 Oil on canvas 263.3x179.1cm London,National Gallery
22137		The Mountain Ford (mk13)	1846 Oil on canvas 28 1/4 x 40 1/16'' The Metropolitan Museum of Art,New York,Bequest of Maria De Witt Jesup,1915
4131		The Muir Glacier in Alaska	1887-88
11796		The Musician	2' x 1' 6''(61.5 x 46 cm)Gift of John Gellatly,1921
44825		The Necklace	mk177 1907 Oil on wood 20x15
9938		The Notch of the White Mountains	1839Oil on canvas National Gallery of Art, Washington
36104		The Oboe player	mk108 1903x61cm
79094		The Old Bridge over Hook Pond	Oil on canvas, 20-1/4 x 30-1/4 in Date 1907(1907) cyf
22131		The Old Mill at Sunset (mk13)	1845 Oil on canvas,26 1/8 x 36'' Alexander Gallery,New York
84158		The Orchard	Date 1887(1887) Source oil on canvas - 45.7cm x 30.5cm cjr
88114		The Orchard	1887(1887) Source oil on canvas - 45.7cm x 30.5cm cyf
97025		The Orient and the Occident	1854(1854) Medium oil on canvas Dimensions 67.7 X 50.4 in cyf
9919		The Oxbow	1836 Oil on canvas; New York Historical Society, New York
58400		The Oxbow	The Oxbow (The Connecticut River near Northampton) (1836)
58895		The Painter Daughters Chasing a Butterfly	The Painter`s Daughters Chasing a Butterfly
1306		The Painter's Daughters Chasing a Butterfly	1755-56 National Gallery, London
1298		The Painter's Daughters with a Cat	1758-60 National Gallery, London 111
40942		The Painter-s Daughters chasing a Butterfly	mk158 c.1756
80789		The Passage of the Delaware	The Passage of the Delaware. 1819. By Thomas Sully, American (born in England), 1783 - 1872. 372.11 x 525.78 cm (146 1/2 x 207 in.). Oil on canvas. cjr
9932		The Past	1838; Oil on canvas; Mead Art Museum Amherst College, Massachusetts
66243		The Past	Oil on canvas 40 1/2 x 61 1/2 in. 1838
58403		The Past (1838)	The Past (1838)
3997		The Pathetic Song	1881 The Corcoran Museum of Art, Washington DC
26162		The Pic-Nic	mk48 Oil on canvas 47 7/8x54in Brooklyn Musem,A.Augustus Healy Fund
22129		The Pic-Nic (mk13)	1846 Oil on canvas 44 7/8 x 71 7/8'' The Brooklyn Museum A Augustus Healy Fund
66244		The Picnic	Oil on canvas 1846
81343		The Pilgrim of the Cross at the End of His Journey	The Pilgrim of the Cross at the End of His Journey (part of the series The Cross and the World), oil on canvas, 12 x 18 in. (30.4 x 45.8 cm.) Date c. 1846-1848 cjr
22135		The Pilgrim of the World at the End of His Journey (mk13)	c 1846-48 Oil on canvas, 12 x 18'' National Museum of American Art,Smithsonian Institution,Washington,D.C, Museum Purchase
49381		The Port of Brest	mk197 the naval base from which the French sent their expeditions to invade Ireland.
36094		The Portrait of Physicists Roland	mk108 1897 Watercolor 201x137cm
36112		The Portrait of Asbury W-Lee	mk108 1905 Watercolor 101x81cm
36114		The Portrait of Helen	mk108 1908 Watercolor 152.7x102cm
36093		The portrait of Henry	mk108 1897 Watercikir 61x51.5cm
36086		The Portrait of Letita Wison Jordan	mk108 1888 Watercolor 152.5x101.5cm
36108		The Portrait of Lin Dun	mk108 1904 Watercolor 61x51.5cm
36103		The Portrait of Martin Cardinals	mk108 1902 Watercolor 199x152cm
36098		The Portrait of Mary	mk108 1899 Watercolor 61x50.8cm
36099		The Portrait of Mary	mk108 1900 Watercolor 61x46cm
36101		The Portrait of Miller	mk108 1901 Watercolor 223.5x111.5cm
36091		The Portrait of Morris	mk108 1896 Watercolor 134.5x91.5cm
36097		The Portrait of Susan	mk108 1899 Watercolor 51x40.5cm
36082		The Portrait of Walt Whitman	mk108 1887-1888 Watercolor 76.5x61.5cm
36107		The Portrait of William	mk108 1903 Watercolor 132x81cm
36111		The Portrait of William	mk108 1904 Watercolor 61x50.8cm
9933		The Present	1838 Oil on canvas; Mead Art Museum Amherst College, Massachusetts
58404		The Present	The Present (1838)
66245		The Present	Oil on canvas 40 3/4 x 61 5/8 in. 1838
70067		The Present	Medium Oil on canvas Dimensions 40 3/4 x 61 5/8 in.
24240		The Presentation of Crimean Medals by Queen Victoria on 18 May 1855 (mk25)	1857-8
35997		The Professor	mk108 1874 Oil painting 152.5x122cm
49402		The rebels executing their prisoners on the bridge at Wexford	mk197 on 20 June, ninety-seven loyalists were piked and their bodies thrown in the river
28223		The Regent Street Panorama	1858 watercolour 17.5 x 22.5 cm (6 7/8 x 8 7/8 in) British Museum London (mk63)
9931		The Return	1838 Oil on canvas; Corcoran Gallery of Art,Washington
58402		The Return	The Return (1837)
22107		The Return (mk13)	1838 Oil on canvas, 39 3/4 x 63'' Collection The Corcoran Gallery of Art,Washington,.D.C Gift of William Wilson Corcoran
49362		The Return of the Flags 1865	mk195 1869 Oil on canvas 37x30
49411		The Revolutionary army in action	mk197 A detail from a contemporary picture of Napoleon-s victory at the Battle of the Pyramids in 1798
561		The Romans of the Decadence	1847 Musee d'Orsay, Paris
30697		The Romans of the Decadence	mk68 Oil on canvas Paris,Orsay Museum 1847 France
40693		The Romans of the Decadence	mk156 1847 Oil on canvas 466x775cm
83401		The Romans of the Decadence	1847(1847) Medium Oil on canvas Dimensions 466 x 773 cm (183.5 x 304.3 in) cyf
85790		The Romans of the Decadence	1847(1847) Medium Oil on canvas Dimensions 466 x 773 cm (183.5 x 304.3 in) cyf
44775		The Royal Caroline in a calm estuary flying a Royal standard and surrounded by an attendant barge and other small boats	mk175 Possibly the King Has just boarded the royal yacht before one of his voyages Oil on cnavas
49385		The Royal Exchange	mk197 Dublin in the 1790s the centre of fashionable life.Despite the threat of rebellion,the city was wide open to attack ,and none of the bridges had guard-posts
9921		The Savate State	1836Oil on canvas New York Historical Society, New York
40953		The Shepherd Boy	mk158 c.1757-59
19654		The Sibyl	1896 Oil on canvas Greenville County Museum of Art, Greenville, SC.
31904		The Spinet	mk77 1902 Oil on wood 15 1/2x20in
38383		The Spinet	mk136 about 1902
96836		The Spinet	oil on panel cyf
68787		the strand with somerset house	1792 watercolour over pencil 33x48.3cm se
36059		The Study of Baseball	kr01 1875 27x33cm
36116		The Study of Nude	mk108 1869 Watercolor 54.5x46cm
38330		The Subsiding of the Waters of the Deluge	mk136 Oil on canvas 1829
69173		The Subsiding of the Waters of the Deluge	Medium oil on canvas Dimensions 35 3/4 x 47 3/4 in
40935		The Suffolk Plough	m158 c.1754
37783		The Swiming Hole	sn02 1884-1885 Oil on canvas 27x36inch
58724		The Swimming Hole	The Swimming Hole, 1884-5. Thomas Eakins.
22122		The Temple of Segesta with the Artist Sketching (mk13)	c 1843 .Oil on canvas 19 1/2 x 30'' Courtesy Museum of Fine Arts,Boston Gift of Mrs Maxim Karolik for the Karolik Collection of American Paintings,1815-1865
22123		The Temple of Segesta with the Artist Sketching (mk13)	c 1843 .Oil on canvas 19 1/2 x 30'' Courtesy Museum of Fine Arts,Boston Gift of Mrs Maxim Karolik for the Karolik Collection of American Paintings,1815-1865
37888		The Thames at Shillingford,near Oxford	mk129 in the foreground is a peter boat used for fishing.
95702		The Thorny Path	1873.(1873.) Medium oil on canvas. Dimensions 51.5 x 75 in (130.8 x 190.5 cm). cyf
44601		The three Eldest Princesses	mk173 1784 Oil on canvas 129.5x179.7cm
56592		the tihe barn abbotsbuy	mk248 girtin farglade ofta de skissrt som ban gjorde ute i det fria,mran ban brukade begransa sig till tua eller tre farger manga blev forlaga till fullbordade akvaller men banromd att samlare aven ville kopa bans skissern vittnar om.
66248		The Titan's Goblet	Oil on canvas 49 x 41 cm 1833
22102		The Titan's Goblet (mk13)	1833 Oil on canvas,19 3/8 x 16 1/8'' The Metropolitan Museum of Art New York Gift of Samuel P Avery Jr,. 1904
4548		The Torn Hat	1820 Museum of Fine Art, Boston 19 1/8 x 14 5/8 in. (48.6 x 37.2 cm)
49407		The Unfortunate Henry Sheares	mk197 With his brother John he was arrested before the rising convicted of high treason in July,and hanged in Dublin
49401		The United army of Down has been broken b the King-s troops	mk197 Gerneral Nugent wave to some dragoons rideing in with the rebel-s Liberty standards
49423		The United Irish Patriots of 1798	mk197 reincarnated in 1898 for the first centenary of the rebellion
31871		The United States and the Macedonian	mk77 1812 Oil on canvas 29x34 1/2in
9961		The Vale and Temple of Segesta	Sicily 1844; New York Historical Society, New York
87372		The Vale and Temple of Segesta	1844(1844) Medium Oil on canvas cyf
36117		The Veiled Nude-s sitting Position	mk108 1863-1866
68956		the viewforth	middleton and jane beset in the ice 1836 oil on canvas 76x108.9cm se
19763		The Visit at Moonlight	1832 Oil on canvas.
33935		The Voyage of Life	mk87 Youth 18412 Oil on canvas 134.3x194.9cm Washington,National Gallery of Art

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Thomas

1815-1879 French Thomas Couture Location French painter and teacher. A student of Antoine-Jean Gros in 1830-38 and Paul Delaroche in 1838-9, he demonstrated precocious ability in drawing and was expected to win the Prix de Rome. He tried at least six times between 1834 and 1839, but achieved only second prize in 1837 (entry untraced). Disgusted with the politics of the academic system, Couture withdrew and took an independent path. He later attacked the stultified curriculum of the Ecole des Beaux-Arts and discouraged his own students from entering this institution. He first attained public notoriety at the Paris Salon with Young Venetians after an Orgy (1840; Montrouge, priv. col., see Boime, p. 85), the Prodigal Son (1841; Le Havre, Mus. B.-A.) and the Love of Gold (1844; Toulouse, Mus. Augustins). These early canvases are treated in a moralizing and anecdotal mode; the forms and compositional structures, like the debauched and corrupt protagonists, are sluggish and dull. Yet what made his work seem fresh to the Salon audience was his use of bright colour and surface texture derived from such painters as Alexandre-Gabriel Decamps and Eugene Delacroix, while his literary bent and methodical drawing demonstrated his mastery of academic tradition. The critics Thophile Gautier and Paul Mantz (1821-95) proclaimed him as the leader of a new school that mediated between the old and the new, and looked to him for a revitalization of Salon painting. The air of compromise his works projected made him appear a cultural representative of the juste milieu policies of Louis-Philippe.

All the Sandro Botticelli's Oil Paintings

Supported by oil paintings and picture frames