Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Lyon, Corneille de 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
19228 A Young Lady Lyon, Corneille de A Young Lady oil on panel, The Hermitage, St. Petersburg
19229 Charles de La Rochefoucauld Lyon, Corneille de Charles de La Rochefoucauld Count of Randan, wood, Mus??e du Louvre, Paris.
19227 Clement Marot Lyon, Corneille de Clement Marot wood, Musee du Louvre, Paris.
20197 Clement Marot (mk05) Lyon, Corneille de Clement Marot (mk05) Wood,4 1/2 x 4''(12 x 10 cm).Given in 1949
19225 Pierre Aymeric Lyon, Corneille de Pierre Aymeric 1534, wood, Mus??e du Louvre, Paris
52576 Portrait of Gabrielle de Rochechouart Lyon, Corneille de Portrait of Gabrielle de Rochechouart c. 1574 Oil on wood, 16,5 x 14 cm

Lyon, Corneille de
Dutch practicing in France, approx. 1500-1575 Dutch painter, active in France. It is uncertain whether he was apprenticed in his native city of The Hague or in Antwerp, and nothing is known of him before 1533, when he was recorded in Lyon. It was possibly in the same year, while the French court was resident in Lyon, that Corneille was made painter to Queen Eleanor, the second wife of Francis I. In 1541 Corneille was painter to the Dauphin (later Henry II), and when the new king succeeded to the throne (1547) and made his state entry into Lyon in 1548, Corneille became Peintre du Roi. Corneille had obtained his naturalization papers in December 1547 and retained French nationality for the rest of his life. He married Marguerite Fradin, the daughter of a Lyon printer of some importance, and this allowed him to enter Lyon society. His studio was extremely prosperous until c. 1565, the year he is known to have visited Antwerp, but disappeared completely after his death despite the fact that he founded a dynasty of painters. His sons Corneille de La Haye II (b 1543) and Jacques de La Haye and his daughter Cl?mence de La Haye were all painters, and the family continued to be known for its artists until the 18th century. Corneille de Lyon was a Protestant, like all those in the circles in which he moved, and it may be that the decline of his fortunes in the 1560s was precipitated by the reversion of Lyon to the Catholic faction
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