Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Gustave Guillaumet 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
25235 Ain Kerma (source du figuier) smala de Tiaret en Algerie (mk32) Gustave Guillaumet Ain Kerma (source du figuier) smala de Tiaret en Algerie (mk32) huile sur toile signee et datee 1867 142 x 104 cm Musee des Beaux-Arts Pau Exoposee au Salon de 1867 et offerte par Napoleon III au musee de pau
25236 Dans Les dunes (mk32) Gustave Guillaumet Dans Les dunes (mk32) ou huile sur toile signee et datee 1880 79 x 120 cm Anc Sotheby Londres
11281 Evening Prayer in the Sahara Gustave Guillaumet Evening Prayer in the Sahara 1863(Salon of 1863) 4' 6'' x 9' 1/4'' (137 x 285cm)
39997 Evening Prayer in the Sahara Gustave Guillaumet Evening Prayer in the Sahara mk155 1863 Oil on canvas 135x182cm
39995 La Seguia,Near Biskra Gustave Guillaumet La Seguia,Near Biskra mk155 1885 Oil on canvas 100x155cm
39998 Laghouat Algerian Sahara Gustave Guillaumet Laghouat Algerian Sahara mk155 1879 Oil on canvas 122x181cm
61955 Laghouat, Algerian Sahara. Gustave Guillaumet Laghouat, Algerian Sahara. 1879. Oil on canvas. 47.5 x 70x5 in. (122 x 181 cm). Musee D'Orsay, Paris. © Reunion des Musees Nationaux / Art Resource, NY.
39999 The Sahara Gustave Guillaumet The Sahara mk155 1867 Oil on canvas 110x200cm
11218 The Sahara(or The Desert) Gustave Guillaumet The Sahara(or The Desert) 1867(Salon of 1868) 3' 7 1/2'' x 6' 5''(110 x 200cm)Gift of the artist's family,1888
39996 Weavers at Bou-Saada Gustave Guillaumet Weavers at Bou-Saada mk155 undated Oil on canvas 95x112cm

Gustave Guillaumet
French Painter, 1840-1887 French painter and writer. He was a student of Fran?ois-Edouard Picot, Alexandre Abel de Pujol and F?lix Barrias. After failing to win the Prix de Rome in historical landscape in 1861, he impulsively visited Algeria the following year; this journey, which he repeated ten times, determined his development as an Orientalist painter. He was a regular exhibitor at the Salon from 1861 where his combination of picturesque realism and academic composition was positively received by the State as illustrative of its Algerian policies
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