Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Caravaggio 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
94800 Adoration of the Shepherds Caravaggio Adoration of the Shepherds 1609 Type Oil on canvas Dimensions 314 cm x 211 cm (124 in x 83 in) cyf
5805 Adoration of the Shepherds fg Caravaggio Adoration of the Shepherds fg 1609 Oil on canvas, 314 x 211 cm Museo Nazionale, Messina
20355 Alof de Wignacourt and His Page (mk05) Caravaggio Alof de Wignacourt and His Page (mk05) 1608(painted at Malta) canvas,76 1/2 x 53''(194 x 134 cm).Acquired by Louis XIV in 1670
5776 Amor Victorious dsf Caravaggio Amor Victorious dsf 1602-03 Oil on canvas, 156 x 113 cm Staatliche Museen, Berlin
91696 Amor vincit omnia. Caravaggio Amor vincit omnia. c. 1602(1602) Medium oil on canvas Dimensions Height: 156 cm (61.4 in). Width: 113 cm (44.5 in). cjr
29938 Bacchus Caravaggio Bacchus mk67 Oil on canvas 37 3/8x33 7/16in Uffizi,Gallery
33251 Bacchus Caravaggio Bacchus mk83 1589-1596 oil on canvas 95x85cm
33572 Bacchus Caravaggio Bacchus mk86 c.1598 Oil on canvas 98x85cm Florence,Galleria degli Uffizi
34696 Bacchus Caravaggio Bacchus mk96 1597 95x85cm
40401 Bacchus Caravaggio Bacchus mk156 c.1596 Oil on canvas 95x85cm
5727 Bacchus (detail) fg Caravaggio Bacchus (detail) fg c. 1596 Oil on canvas, height of detail: 25 cm Galleria degli Uffizi, Florence
22531 Bacchus (detail) (df01) Caravaggio Bacchus (detail) (df01) 1593-1595 Florence,Galleria degli Uffizi
5726 Bacchus (detail) gg Caravaggio Bacchus (detail) gg c. 1596 Oil on canvas, height of detail: 25 cm Galleria degli Uffizi, Florence
33569 Basket of Fruit Caravaggio Basket of Fruit mk86 c.1596 Oil on canvas 46x64cm Milan,Biblioteca Ambrosiana
5735 Basket of Fruit df Caravaggio Basket of Fruit df c. 1597 Oil on canvas, 31 x 47 cm Pinacoteca Ambrosiana, Milan
5799 Beheading of Saint John the Baptist fg Caravaggio Beheading of Saint John the Baptist fg 1608 Oil on canvas, 361 x 520 cm Saint John Museum, La Valletta
43080 Boy Bitten by a Lizard Caravaggio Boy Bitten by a Lizard mk170 1595-1600 Oil on canvas 66x49.5cm
5717 Boy Bitten by a Lizard f Caravaggio Boy Bitten by a Lizard f c. 1594 Oil on canvas, 66 x 49,5 cm National Gallery, London
5714 Boy Peeling a Fruit df Caravaggio Boy Peeling a Fruit df c. 1593 Oil on canvas, 75,5 x 64,4 cm Longhi Collection, Rome
40404 Boy with a Basket of Fruit Caravaggio Boy with a Basket of Fruit mk156 c.1595 Oil on canvas 70x67cm
56036 boy with a basket of fruit Caravaggio boy with a basket of fruit mk247 c.1593,oil on canvas,27.5x26.375 in,70x67 cm,galleria borghese,rome,ltaly
5716 Boy with a Basket of Fruit (detail) fg Caravaggio Boy with a Basket of Fruit (detail) fg c. 1593 Oil on canvas Galleria Borghese, Rome
5715 Boy with a Basket of Fruit f Caravaggio Boy with a Basket of Fruit f c. 1593 Oil on canvas, 70 x 67 cm Galleria Borghese, Rome
5802 Burial of St Lucy (detail) fg Caravaggio Burial of St Lucy (detail) fg 1608 Oil on canvas, width of detail: 207 cm Bellamo Museum, Syracuse
5801 Burial of St Lucy fg Caravaggio Burial of St Lucy fg 1608 Oil on canvas, 408 x 300 cm Bellamo Museum, Syracuse
90693 Caravaggio Caravaggio Caravaggio 1594-1596 Medium oil on canvas cjr
92062 Caravaggio Cardsharps Kimbell detail Caravaggio Caravaggio Cardsharps Kimbell detail 1594; Oil on canvas cyf
64297 card-players, c Caravaggio card-players, c 1590-95 courtesy of the fogg art museum, harvard university, cambridge, mass
58165 Cavalier Malta Caravaggio Cavalier Malta mk261 Florence, Palatina Gallery, Pitti Palace.
5791 Christ at the Column fdg Caravaggio Christ at the Column fdg c. 1607 Oil on canvas, 134,5 x 175,5 cm Mus??e des Beaux-Arts, Rouen
62374 Christ in the Garden Caravaggio Christ in the Garden 154 x 222 cm Formerly Kaiser-Friedrich-Museum, Berlin The painting was destroyed in the Second World War, it is known to us today through extant black and white photographs. This was a wonderful composition that caught the instant in which Christ awakes the sleeping apostles. The construction of the scene descends toward the lower right corner. St Peter in particular is shown in a classical position (which has been called Carracci-like), with the containment that characterizes this moment in the artist's career. Author: CARAVAGGIO Title: Christ in the Garden , 1551-1600 , Italian Form: painting , religious
56856 Christian burial Caravaggio Christian burial mk250 Rome, Italy, St. Mary s Church Chapel Pierrot, the year 1603. Oil painting on cloth, about 300 x 201 cm.
92158 Christus in Emmaus Caravaggio Christus in Emmaus c. 1600 Medium oil on canvas cjr
30537 Conversion of Saint Paul Caravaggio Conversion of Saint Paul mk67 Oil on canvas 7'6"x5'9" Rome,Church of Santa 1600-1601 Italy
94791 Conversion of Saint Paul Caravaggio Conversion of Saint Paul 1600/1601 Type Oil on cypress wood Dimensions 237 cm x 189 cm (93 in x 74 in) cyf
88432 Crucifiction of St. Peter Caravaggio Crucifiction of St. Peter 1600(1600) Medium Oil on canvas Dimensions Height: 230 cm (90.6 in). Width: 175 cm (68.9 in). cjr
94796 Crucifixion of Saint Andrew Caravaggio Crucifixion of Saint Andrew circa 1607(1607) Medium oil on canvas cyf
62390 David Caravaggio David 110 x 91 cm Museo del Prado, Madrid This painting addresses the subject of David and Goliath, which the artist repeatedly dealt with later in his career, with a perfect linearity of means and intelligence of iconographic invention. As in the early Renaissance, David is shown as the adolescent who triumphs not by his strength, but by his power of character and his faith. The oblique pose of the figure (David stands partly parallel to the picture plane) is constructed with admirable skill. Caravaggio has a particular importance for Spain, for he originated the realist and 'tenebrist' style of painting that enjoyed such development and popularity there in the work of such artists as Ribera and Zurbar?n. This mature work demonstrates the fundamentals of his art: an emphatic solidity created by a harsh contrast of light and shade; the immediacy created by staging the action right in the foreground, and eliminating all superfluous space around it (conventionally, David would have been given room to stand up, so to speak); the elimination of decoration, such as colour or elegant posture, in order to concentrate on the drama alone
88422 David Caravaggio David between 1606(1606) and 1607(1607) Medium Oil on wood Dimensions Height: 90.5 cm (35.6 in). Width: 116 cm (45.7 in). cjr
94789 David and Goliath Caravaggio David and Goliath 1599 Type Oil on canvas Dimensions 110 cm x 91 cm (43 in x 36 in) cyf
5808 David dfg Caravaggio David dfg 1609-0 Oil on canvas, 125 x 101 cm Galleria Borghese, Rome
5767 David fgfd Caravaggio David fgfd 1600 Oil on canvas, 110 x 91 cm Museo del Prado, Madrid
5786 David fghfg Caravaggio David fghfg 1606-07 Oil on wood, 90,5 x 116 cm Kunsthistorisches Museum, Vienna
70757 david med goliats huvud Caravaggio david med goliats huvud cirka 1606 pa poppeltra 116x90.5cm se
70717 David mit dem Haupt des Goliath Caravaggio David mit dem Haupt des Goliath Medium Oil on poplar Dimensions Expression error: Missing operand for *90.5 ?? 116 cm
26765 David with the Head of Goliath Caravaggio David with the Head of Goliath mk52 c.1610 Oil on canvas 125x100cm Galleria Borgese,Rome
39617 David with the head of Goliath Caravaggio David with the head of Goliath mk150 c.1606 Panel 90.5x116cm
67400 de sju barmhartighetsgarningarna Caravaggio de sju barmhartighetsgarningarna se
94803 Denial of Saint Peter Caravaggio Denial of Saint Peter 1610 Type Oil on canvas Dimensions 94 cm x 125 cm (37 in x 49 in) cyf
85151 Deposition of Christ Caravaggio Deposition of Christ oil on canvas, 1602 - 04 cyf
48649 Detail of Supper of Aaimasi Caravaggio Detail of Supper of Aaimasi mk191 Oil on canvas
43084 Detail of The Supper at Emmaus Caravaggio Detail of The Supper at Emmaus mk170
30268 Details of Martyrdom of St.Matthew Caravaggio Details of Martyrdom of St.Matthew nn05 Gentle angel for a cardinal
30270 Details of Martyrdom of St.Matthew Caravaggio Details of Martyrdom of St.Matthew nn05 Bloddthirsty murder,fear and horror
30271 Details of Martyrdom of St.Matthew Caravaggio Details of Martyrdom of St.Matthew nn05 To bear witness and die for One's beliefs
30272 Details of Martyrdom of St.Matthew Caravaggio Details of Martyrdom of St.Matthew nn05 Bloodthirsty murder,fear and horror
30273 Details of Martyrdom of St.Matthew Caravaggio Details of Martyrdom of St.Matthew nn05 A wild and violent painter
92152 Die Ruhe auf der Flucht nach agypten Caravaggio Die Ruhe auf der Flucht nach agypten 1594-1596 Medium oil on canvas cjr
71716 Dornenkronung Christi Caravaggio Dornenkronung Christi um 1602/1604 Oil on canvas 127 x 166 cm
94793 Ecce Homo Caravaggio Ecce Homo 1605 Type Oil on canvas Dimensions 128 cm x 103 cm (50 in x 41 in) cyf
5777 Ecce Homo dfg Caravaggio Ecce Homo dfg c. 1606 Oil on canvas, 128 x 103 cm Palazzo Rosso, Genoa
30543 Entombment of Christ Caravaggio Entombment of Christ mk68 Oil on canvas 9'10"x6'7" Vatican 1602-1603 Italy
5790 Flagellation dgh Caravaggio Flagellation dgh c. 1607 Oil on canvas, 390 x 260 cm Museo Nazionale di Capodimonte, Naples (loan)
45444 Fruits basket Caravaggio Fruits basket mk186 around 1597/98 Milan, Pinacoteca Ambrosiana
73089 Gemalde der Contarelli Caravaggio Gemalde der Contarelli Date 1599-1600 Medium English: Oil on canvas Deutsch: Öl auf Leinwand cyf
34918 Head of the Medusa Caravaggio Head of the Medusa mk98 c.1596-1598 Oil on a shield covered with leater 60x55cm
76423 Hieronymus beim Schreiben Caravaggio Hieronymus beim Schreiben Date 1605-1606 Medium Oil on canvas Dimensions 112 ?? 157 cm (44.1 ?? 61.8 in) cyf
74886 Hl. Hieronymus beim Schreiben Caravaggio Hl. Hieronymus beim Schreiben 1605-1606 Oil on canvas 112 X 157 cm (44.09 X 61.81 in) cjr
56514 jesus och larjungarna i emmaus Caravaggio jesus och larjungarna i emmaus mk248 gesterna i der bar bilden sger oss en bel del. larjungrns utrackta bander till boger,de andra som griper tag i sina stolar, fangar en ogonblicksbild av insikt da den skagglose yngling som de traffat langs vagen avslojar sig som den ateruppstandne lristus nar ban valsignar maltiden. stillebenet med frukter ger biblisk erferenser till ateruppstandelse ocb uppfyllda forvantningar medan applena frestelsens symboler ar markbart maskstungna.
85567 Johannes der Taufer Caravaggio Johannes der Taufer 1602(1602). Medium Oil on canvas. Dimensions 132 x 97 cm (52 x 38.2 in). cyf
315 Judith and Holofernes Caravaggio Judith and Holofernes 1599 Galleria Nazionale de Arte Antica, Rome
43845 Judith Beheading Holofernes Caravaggio Judith Beheading Holofernes c. 1598 Oil on canvas, 145 x 195 cm
5738 Judith Beheading Holofernes (detail) gf Caravaggio Judith Beheading Holofernes (detail) gf c. 1598 Oil on canvas Galleria Nazionale d'Arte Antica, Rome
5739 Judith Beheading Holofernes (detail) vc Caravaggio Judith Beheading Holofernes (detail) vc c. 1598 Oil on canvas Galleria Nazionale d'Arte Antica, Rome
45590 Jungling with fruits basket Caravaggio Jungling with fruits basket mk186 around 1593/94 Rome, Galleria Borghese
5816 Jupiter, Neptune and Pluto d Caravaggio Jupiter, Neptune and Pluto d 1597-1600 Ceiling painting in oil, 300 x 180 cm Casino Boncompagni Ludovisi, Rome
31005 La Diseuse de bonne aventure Caravaggio La Diseuse de bonne aventure mk70 Toile H.0.99 L.1.31 Paris,Musee du Louvre
31003 La Mort de la Vierge Caravaggio La Mort de la Vierge mk70 Toile H.3.69 L.2.45 Paris,Musee du Louvre
48650 Leaning younger in rose bush Caravaggio Leaning younger in rose bush mk191 Oil on canvas
5725 Lute Player (detail) gg Caravaggio Lute Player (detail) gg c. 1596 Oil on canvas The Hermitage, St. Petersburg
5724 Lute Player f Caravaggio Lute Player f c. 1596 Oil on canvas, 94 x 119 cm The Hermitage, St. Petersburg
326 Lute Player5 Caravaggio Lute Player5 1595 The Hermitage, St.Petersburg
53778 Lutspelaren Caravaggio Lutspelaren mk234 about 1596 94x120cm
5795 Madonna del Rosario (detail) dsf Caravaggio Madonna del Rosario (detail) dsf 1607 Oil on canvas, width of detail: 64 cm Kunsthistorisches Museum, Vienna
5794 Madonna del Rosario (detail) fdg Caravaggio Madonna del Rosario (detail) fdg 1607 Oil on canvas, width of detail: 64 cm Kunsthistorisches Museum, Vienna
5793 Madonna del Rosario df Caravaggio Madonna del Rosario df 1607 Oil on canvas, 364,5 x 249,5 cm Kunsthistorisches Museum, Vienna
43835 Madonna di Loreto Caravaggio Madonna di Loreto 1603-05 Oil on canvas, 260 x 150 cm
5783 Madonna Palafrenieri (detail) f Caravaggio Madonna Palafrenieri (detail) f 1606 Oil on canvas, width of detail: 47 cm Galleria Borghese, Rome
5782 Madonna with the Serpent Caravaggio Madonna with the Serpent 1606 Oil on canvas, 292 x 211 cm Galleria Borghese, Rome
5781 Madonna with the Serpent df Caravaggio Madonna with the Serpent df 1606 Oil on canvas, 292 x 211 cm Galleria Borghese, Rome
70758 madonnan med rosenkransen Caravaggio madonnan med rosenkransen cirka 1606 pa duk 249x364cm se
62386 Magdalene Caravaggio Magdalene 122,5 x 98,5 cm Galleria Doria-Pamphili, Rome This picture and The Rest on the Flight into Egypt must have been painted around the same time, for the same girl sat for the Magdalene and the Madonna. On this occasion, however, there are none of the usual signs of a religious scene such as a halo. A young girl, seen from above, is seated on a low stool in one of Caravaggio's favourite cave-like settings, with a triangle of light high up on the wall behind her. Discarded jewellery - a string of pearls, clasps, a jar (perhaps holding precious ointment) - lies on the floor. The girl's hair is loose, as if it has just been washed. Her costume, consisting of a white-sleeved blouse, a yellow tunic and a flowery skirt, is rich. Bellori, who gives a careful description of this picture, which he came across in the collection of Prince Pamphilj, regards its title as an excuse; for him it is just a naturalistic portrayal of a pretty girl. This seems to show a willful failure to understand Caravaggio's intention or the wishes of the man who commissioned it, Monsignor Petrignani. The repentant Mary Magdalene, like the repentant Peter, was a favourite subject of Counter-Reformation art and poetry, which valued the visible expression of the state of contrition 'the gift of tears'. Caravaggio's heroine is sobbing silently to herself and a single tear falls down her cheek. She is, as it were, poised between her past life of luxury and the simple life she will embrace as one of Christ's most faithful followers. It is a sign of the painter's skill that he makes this inner conflict moving at the same time as he makes its representation delectable. Although nothing painted in the sixteenth century is as emotive as the statue in wood of the haggard saint carved by Donatello (c.1456-60), by the time Titian's bare-breasted Magdalene of the 1530s (Palazzo Pitti, Florence) had become the more modest and affecting Magdalene of the 1560s, there had been a move in religious sensibility towards the humble and pathetic, a change which thirty years later Caravaggio could take for granted
5731 Magdalene (detail) fdf Caravaggio Magdalene (detail) fdf 1596-97 Oil on canvas, width of detail: 30 cm Galleria Doria-Pamphili, Rome
5730 Magdalene gd Caravaggio Magdalene gd 1596-97 Oil on canvas, 122,5 x 98,5 cm Galleria Doria-Pamphili, Rome
53781 Maltiden in Emmaus Caravaggio Maltiden in Emmaus mk234 1600-01 140x195cm
45708 Maria Magdalena Caravaggio Maria Magdalena mk186 1594/95 Rome, Galleria Doria Pamphilj
53780 Marie dod Caravaggio Marie dod mk234 1605/06 370x244cm
313 Martha and Mary Magdalene Caravaggio Martha and Mary Magdalene 1595 Detroit Institute of Arts
5737 Martha and Mary Magdalene gg Caravaggio Martha and Mary Magdalene gg c. 1598 Oil on canvas, 97,8 x 132,7 cm Institute of Arts, Detroit
85285 Martyrdom of Saint Sebastian. Caravaggio Martyrdom of Saint Sebastian. Date c. 1610-1620 Medium Oil on canvas Dimensions 124 x 162.5 cm (48.8 x 64 in) cjr
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Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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